| The 20 th century was a time of intense strife and revolution,but now the chaos is fading,and the present life is disconnected from the past life.The breaking of reality brings the break of tradition,the loss of meaning and value comes one after another,young people felt themselves adrift and without a place to call home.How to look at the history of the past hundred years or even earlier,how to feel life again and find their own words,has become a new topic to be solved by modern people.In the second half of the last century,the concept of private narrative flourished,and the function of art works in assuming the role of historical narrative became apparent.In practice,many artists constantly bridge past events with the current space,evoking familiar emotions in people’s experience in reproducing past situations and adding another layer of meaning to the discourse.Ilya Kabakov,one of the most famous artists today,what he calls an overall installation are good examples.At the end of the 20 th century,when the criticism of interpretation in the field of art went to the blank on the blank,the perceptual narrative that had once lost its voice showed a trend of gradual return.From the perspective of the creator,the author takes personal narrative and situational memory as the direction,the combination of symbols as the means,and the purpose of creating a common atmosphere,to explore the emotional "place of attribution" projected by the current creators and viewers in the works of art,as well as the role of the common atmosphere created by the context construction in the current emotional context.This paper records the author’s attempts to present slices of the current living environment and reconstruct the real field in his works.At the end of the paper,the author explores the future development of artistic creation in connection with Benjamin’s aesthetic views,and tries to make sense of how to use the power of art and aesthetics to obtain the echo of one’s own place. |
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