Study On Yu Yunwen’s Social Intercourse And Calligraphy

Yuyunwen(1513-1579)was mainly active in the middle and late Ming Dynasty.Although he was a cloth cloth,he made friends with many literati in the south of the Yangtze River.He often participated in elegant collections such as poetry singing and calligraphy and painting inscriptions and postscripts.He has a typical literati temperament.His poetics was based on the Han and Wei dynasties,combined with the poetic rhymes of the Tang and Song Dynasties,and took diluting the implication as the beauty.His poetry creation is remarkable in the five character ancient poetry,with natural and lively language,showing a style of justice and elegance.Yu Yunwen is also good at calligraphy and various styles,represented by cursive script.It has the aesthetic pursuit of ancient elegance and beauty,and expressing the spirit alone.Through the analysis of Yu Yunwen’s poetry creation and poetry thought,it is found that there is an internal consistency between them.From the aesthetic point of view,it can be summarized as follows: advocating ancient elegance;To be implicit is beautiful;The aesthetic orientation of non-convergence.This is mainly due to the influence of Wu Zhong’s ancient learning tradition and Wu Chinese people’s independent Lyric literary view.The research on the consistency of Yu Yunwen’s poetics has a certain reference significance for the common development of our poetry and books.