Research On Stone Carving Poems In Guangxi Qing Dynasty

As an important document form for the study of Guangxi culture,Guangxi stone inscriptions have been paid more and more attention by academic circles due to their characteristics such as large quantity,wide content and rich subject matter.As one of the important genres,Guangxi stone inscription poetry covers a large number of content,diverse emotional expressions,obvious artistic characteristics,and strong literacy.It is an important research part of Guangxi local literature.The heyday of the development of Guangxi stone carving poetry was in the Qing Dynasty.The poetry of this period was the highest in Guangxi stone carving poetry in terms of quantity and quality.Therefore,the thesis takes Guangxi Qing Dynasty stone carving poetry as the research object,and on the basis of statistical analysis,studies the ideological content,artistic characteristics and other issues,and explores its value and significance.The first chapter is the general situation of Guangxi Qing Dynasty stone carving poetry.This chapter mainly explains the basis,development,author and region of Guangxi Qing Dynasty stone-carved poetry statistical materials.The article refers to authoritative documents such as "Compilation of Stone Carvings in Southwest China" and "Guilin Stone Carvings",and collects poems according to the original and comprehensive principles.From the perspective of problem awareness,it can be seen that the number of stone-carved poems in Guangxi in general continued to increase in the Qing Dynasty,but the number of poems in different dynasties was uneven.It reflects the different tendencies of stone carving poems in different periods,or emphasizes the description of scenery,or emphasizes the expression of grandeur.the authorship is mainly the resident poets who came to Guangxi from other places.Their special liking for the landscape of Guangxi makes the number of natural scenery poems numerous.the spatial distribution of the number of poems is mostly in northern Guangxi,indicating the accumulation of natural scenery And frequent cultural exchanges have an important influence on stone carving poetry.These all lay a solid material foundation for the discussion in the following chapters.The second chapter is the ideological content of Guangxi Qing Dynasty stone carving poetry.It mainly analyzes the natural scenery and humanistic content in the stone carving poems in Guangxi Qing Dynasty.From the perspective of the research object,through the authors’ detailed descriptions of the natural scenery of Guangxi,we can see through the strangeness of its landscapes and the quietness of the caves.From the perspective of ideology and emotion,starting from the three aspects of historical architecture,religious culture,and folk tales and legends,it analyzes the different ideological and emotional expressions of respect,remembrance,and condolence expressed by the authors,as well as the religious and cultural beliefs and local cultural beliefs reflected in the poems.These all reflect the unique writing perspective and cultural connotation hidden behind the ideological content of stone carving poetry.The third chapter is the artistic features of Guangxi Qing Dynasty stone carving poetry.It mainly writes about some artistic characteristics reflected in the stone carving poems of Guangxi Qing Dynasty,including the main creative type of singing in harmony,improvisation as the main creative situation,truthfulness and naturalness as the main creative style,and concise and clear as the main language feature As well as the diversity of genres and styles of poetry,it shows the entertainment characteristics and diversified development of Guangxi Qing Dynasty stone inscription poetry.These all show that poets also pay attention to the rigor and integrity of poetry when they create freely and entertainingly,and make the poetry more pictorial and three-dimensional.The fourth chapter is the value meaning of Guangxi Qing Dynasty stone carving poetry.It mainly analyzes and discusses the literature value and practical significance of Guangxi Qing Dynasty stone carving poetry.It preserves many precious documents that have not been lost yet,such as Yuanyou’s party history,Liu Kunyi’s documentary on bandit suppression,etc.It can also supplement some deficiencies in existing documents,such as filling up the lack of relevant records of Shi Dakai and others writing poems in Bailongdong and Liao Zhenxiang’s personal records.In addition,the status quo that there are many lost stone carving poems reflects the urgency of related research,and the fact that stone carving poetry can be applied to the study of local tourism culture also reflects the value of the research.All these prove the importance and necessity of the study of stone carving poetry in Guangxi Qing Dynasty.