| Nowadays,all kinds of brand-new female images appear frequently in film and television dramas,and there is a brand-new female image in Japanese film and television dramas,that is,the image of "akujo",such as Motoko Haraguchi in "Black Leather Handbook",Karasawa Yukiho in " Journey Under the Midnight Sun",they often appear in film and television dramas as main characters and play an important role.The image of "akujo" with an obvious villain color is often portrayed and narrated as the main character of film and television dramas.It has also been widely welcomed and recognized in Japan,and the ratings and discussion heat are also very high.This paper makes a refined exposition of postmodern feminism,selects the representative " akujo drama" in Japanese TV dramas in the Heisei era,and summarizes the typical " akujo " image,from the perspective of postmodern feminism,to " akujo " The construction of the image of " akujo " is analyzed in detail,and the reasons for the appearance and popularity of the image of " akujo " are analyzed,and finally the " akujo " is analyzed.The article is divided into three parts: introduction,main body(five chapters in total),and conclusion.The first chapter summarizes the three major characteristics of postmodern feminist theory.The second chapter gives a specific definition of the term "akujo" to be studied in the article,summarizes five typical "akujo" images in Japanese dramas,and analyzes how the "akujo" is constructed with the characteristics of postmodern feminism.new female figure.The third chapter analyzes the inevitability of the appearance of the "akujo" image from the aspects of Japan’s contradictory nationality,rapid economic development and popular culture.The fourth chapter combines the postmodern feminist theory to summarize the transcendence of the "akujo" image over the traditional female image. |