Schumann’s Piano Suite "Waldszenen"(OP.82):A Performance Analysis And A Poetic Interpretation

When listening to the leaves crooning to the birds,see the colorful light and shadow through the seasons,as if in a forest...It is the notes arranging and fingers dancing,robert Schumann,the "mad" composer and founder of the Romantic Period’s title/program piano suite,created the piano cycle in a unique style of nature sketching,has become a classic of all time." Waldszenen "(Op.82)Schumann’s last,relatively obscure piano suite,absorbs me out of the real world in a moment,as I stumble into a forest of mystery,it was a shock to be exposed to the natural environment he created with his music,and to break the stereotype of Schumann as a "Title Composing",it was this 19th-century "Romantic Master" who led me to the forest.By studying and analyzing the notation of the title in Schumann’s manuscript of scenes in the forest(Op.82),the mood of the composer in his creation can be reconstructed,the analysis and interpretation of each piece is closer to the composer’s original intention,and the performer hopes to grasp the work through the abstract understanding of the music with the help of the concrete link of literature,to give a performance that has its own style and insight.To use what little I can feel about the work as a reference map for more performing,future artists about the forest.