Research On The People’s Aesthetic Style Of Jingdezhen Ceramic Sculpture In "Seventeen Years" Of New China

After the founding of the People’s Republic of China,the Chinese nation won a new life.On the basis of adhering to the basic position of Marxism,it constructed an aesthetic system with "people" as the core.The object of artistic creation has changed from the emperors,ministers,talents and beauties to the working people,showing the hot scene of socialist construction during the "seventeen years".In this historical context,the creation subject of Jingdezhen ceramic sculpture also realized the change from the artistic aesthetic principle of the traditional themes such as seclusion of noble scholars,beautiful girls’ baby drama,Buddha and Rohan to the public image of the people represented by workers,peasants and soldiers.Jingdezhen ceramic sculpture works in the 17 th year of New China have a positive theme,express positive spiritual outlook,meet the spiritual and cultural needs of the people,and embody the aesthetic style of "people’s aesthetics".The porcelain carvings praising the labor of workers and peasants show the most glorious production picture of labor;The porcelain carvings praising the heroes of the people create a heroic spirit of standing tall and firm in faith.The lively children’s porcelain carvings convey the vitality and hope of socialism;The idealized porcelain carvings of working women express the idea that "women can hold up half the sky and strive to be the first in everything",highlighting the healthy,hard-working and heroic female image.Various forms of ethnic porcelain carvings show the ethnic identity and national identity of ethnic unity and family.Jingdezhen ceramic sculpture constructs the expression of works different from the previous aesthetic system,and constructs the unique aesthetic style of the "seventeen years" of New China.Jingdezhen ceramic sculpture in the "seventeen years" of New China reflects the positive and optimistic people’s "new image",forming the aesthetic tone of the people’s aesthetics in the "seventeen years" Jingdezhen porcelain sculpture works.The "beauty of labor" highlights people’s realization of personal value,the "beauty of equality" shows ideological liberation and status promotion,the "beauty of unity" expresses ethnic integration and the cohesion of the people,the "beauty of learning" conveys the pursuit of progress and the encouragement of education and development,and the "beauty of health" cultivates good health and the participation of the whole people in sports.Jingdezhen ceramic sculpture in the "seventeen years" of New China enhances people’s aesthetic appreciation and beauty appreciation level,and presents the aesthetic connotation of people’s aesthetics of Jingdezhen porcelain carving works in the "seventeen years" of New China.The specific performance is the aesthetic subject of being the master of the house,the popular and elegant aesthetic dimension,the vigorous aesthetic characteristics,and the lofty aesthetic spirit,which lays a solid foundation for the new prosperity of the "people’s aesthetics" thought of Jingdezhen ceramic sculpture.