A Comparative Study On The Design Of Quail Images On Chinese And Japanese Decorative Porcelain In The 17th And 18th Centuries

In the 17 th and 18 th centuries,the maritime porcelain trade was in its golden age.The volume of import and export trade between China and Japan continued to increase,and the trade of colored porcelain became more frequent.With the emergence of Chinese enamel,pastel and Japanese red painting,the types of colored porcelain became more diverse,and a large number of quail images also appeared on colored porcelain.By analyzing the similarities and differences of quail image designs on Chinese and Japanese colored porcelain,we will explore the differences in color,shape,and composition of quail images on Chinese and Japanese colored porcelain in the 17 th and18th centuries,and deeply study the culture,content and form involved.So as to further explore the cultural connotation of Chinese and Japanese colored porcelain in the 17 th and 18 th centuries,and provide a certain reference value for the research on the exchange and integration of colored porcelain between the two countries.This article will be divided into four parts.The first part summarizes the source of this topic,the research status at home and abroad,the purpose and significance of the research,the research ideas and methods;the second part focuses on the origin and evolution of quail images in Chinese and Japanese culture before the 17 th century,and the quail images in the 17 th century The emergence and development of colored porcelain;the third part compares and analyzes the color design,modeling style and layout features of quail images on Chinese and Japanese colored porcelain in the 17 th and 18 th centuries,and sorts out the similarities and differences of the design features of Chinese and Japanese quail images,so as to get the reasons for the differences in the design of Chinese and Japanese quail images;the fourth part takes the cultural connotation of quail images on Chinese and Japanese colored porcelain in the 17 th and18th centuries as the research object,and analyzes the deep cultural connotation behind the quail images on Chinese and Japanese colored porcelain.,aesthetic orientation and national spirit are compared and analyzed,and the influence of different cultural connotations in China and Japan on images is summarized.This paper makes an objective and systematic analysis of the quail images on Chinese and Japanese colored porcelain in the 17 th and 18 th centuries by comparing the appearance,evolution,design features and cultural connotations of quail images on Chinese and Japanese colored porcelain in the 17 th and 18 th centuries.Then discover the differences in images and cultures between the two countries,so as to conduct a more in-depth study on the mutual influence and evolution of quail images on Chinese and Japanese colored porcelain in the 17 th and 18 th centuries,and supplement the research field of quail images on Chinese and Japanese colored porcelain.