| This paper studies the relationship between the internal driving force of the second creation in the solo dance ’ Haitang Yizheng ’,aiming to explore the relationship between the dancer ’s internal driving force ’ emotion ’,’ wisdom ’,’ willpower ’ and the second creation.To this end,the main research methods used are literature research,case analysis,and practical experience.It mainly studies how dancers awaken the internal driving force in the second creation,that is,the psychological process formed by the internal driving force,and on this basis,how to transform into the logical relationship of the external manifestation form,so as to reveal the general law of the internal driving force of the second creation through the solo dance ’ Haitang Still ’,which provides a theoretical and practical basis for how to shape the target image and how to grasp the emotion of the work in the second creation of solo dancers.This article is divided into four parts,the first part of the introduction;the second part is an overview of the works of solo ’ Haitang Still ’.The third part is the formation and performance of the internal driving force of the second creation of solo ’ Haitang Still ’.The fourth part is the research significance of the internal driving force of the second creation of solo ’ Haitang Still ’.The significance of this paper is to analyze the relationship between the second creation and the internal and external driving forces by taking the solo dance ’ Haitang Yiyi ’ as the carrier.It reveals the application law of the internal driving force in the second creation of the dancer,and also grasps the method of internalizing the heart and externalizing the form after the internal driving force is applied to the second creation,which provides a theoretical basis for the second creation to creatively use the internal driving force as a bridge from dance movements to dance language.On the basis of understanding the choreographer ’s creation,the dancer injects his own ’ emotion ’,’wisdom ’ and ’ willpower ’,so as to create a unique,interesting and vivid dance image,express the connotation of the characters ’ emotions and thoughts,so that the audience can accurately understand the dance works,stimulate the audience ’s spiritual resonance,and realize the close combination and high unity of dance form and dance content. |