Analysis Of The Creation Of The "The Image Of Shangyi" Series Of Landscape Paintings

Through the inheritance of the traditional landscape spirit and techniques,combined with the theme of the times,I created the series of works "The image of Shangyi" to discuss the aesthetic spirit and pen and ink meaning of contemporary landscape painting,combined with specific pen and ink expression techniques,and construct the picture pattern and aesthetic artistic conception with mountains,stones,water and trees as the main body.With the natural scenery of southern Xinjiang and the main feeling of the creator,experiencing the mountains and the sky light of the trees triggered my creative inspiration.Based on the view of the ancients,we understand nature and the heart,and strive to match the language of pen and ink with the expression of images to achieve the presentation of aesthetic imagery.This series of works innovates on the basis of studying the image style and pen and ink program of landscape painters,and on the basis of imagery landscape creation,the object of the object meets the subjective spiritual person,so as to achieve the fusion of scenes,and then explore landscape painting and abstract landscape creation.In terms of composition,the traditional "three far method" is weakened,and the modeling consciousness of summarizing the constituent elements of the picture is integrated;In the use of color,more heavy ink is used as landscape water,supplemented by points and lines to enhance the decorative nature of the picture;In terms of creation,he strives to find a balance between the artistic conception of brush and ink of the ancients and the decorative concept composed of Western graphics,based on the tradition of Chinese painting and used by Western art,and this creation is rooted in local traditional culture,and carries out modern interpretation and creation of works.Following the creative concept of "pen and ink in the times",it adheres to the needs and practical significance of inheriting and carrying forward the intrinsic value of China’s excellent traditional culture in the new era.This is also my original intention of this creation,trying to develop the thinking and innovative design of the images,symbols and meanings of the " The image of Shangyi " series by constructing the visual image and context of the "pen and ink symbols" of contemporary landscape painting,and to present the similarities and differences between the traditional freehand landscape.I insist on taking traditional art as the foundation,combined with my understanding of contemporary ink painting,integrating and harmonizing with each other,creating a new era of brush and ink and meaning in inheriting the nature and quality spirit of traditional culture,and opening up contemporary landscape painting that is more in harmony with the pulse of the times.