A Study Of Soviet Dramatic Ballet From The Perspective Of Reception Aesthetics

The Soviet Dramatic Ballet was the most representative and fruitful stage in the development of the Soviet Ballet,and many classic ballets emerged from this stage.Since its inception in 1940,the work has gained widespread recognition and social influence for its high artistic quality,profound thoughtfulness and powerful appeal to audiences.To this day,Romeo and Juliet continues to be performed to full houses in theatres around the world and is celebrated by people from all over the world.This paper argues that the reason for the enduring popularity of Romeo and Juliet is due in large part to the fact that the dance drama embraces a genuine fusion of vision between the subject and the object.In a particular historical and cultural context,the creative subject is guided by the preconceptions of the "implied reader",which gives the work many "meaning gaps" and "uncertainties".It is also due to the reasonable construction of these open "iconic structures" that provides the possibility for the receiving subject to participate in the construction of the meaning of the dance drama.Therefore,based on the Perspective of Reception Aesthetics,this paper analyses the artistic creation and reception of the dance drama Romeo and Juliet,as well as the generation of the artistic reception effect of the work,in order to further summarise the historical experience of the creation of Soviet Dramatic Ballets,with a view to providing some reference and reference for the theoretical construction and artistic practice of Chinese Ballets.The text is divided into four chapters,except for the introduction and concluding remarks.The first chapter provides a systematic overview of the theories related to the Perspective of Reception Aesthetics,and presents the four theories related to this paper,namely "anticipatory vision","fusion of vision","structure of invocation" and"implied readership".The first chapter provides a systematic overview of the relevant theories of reception aesthetics,and explains the four concepts of "anticipatory vision","fusion of vision","structure of invocation" and "implied reader",which lay the foundation for the subsequent chapters.In the second chapter,on the basis of the background of the artistic creation of the Dramatic Ballet,a brief analysis of the identity of the creative subjects,their artistic outlook and artistic style is presented,and the historical development of the Dramatic Ballet leads to the main object of this study,the dance drama Romeo and Juliet.The third chapter takes the dance drama Romeo and Juliet as a case study and,on the premise of clarifying the identity composition and aesthetic demands of the receiving subjects,analyses the artistic aesthetic objects under the influence of the receiving subjects and the artistic reception effects of their dance drama works one by one.The fourth chapter composes and summarises the historical experience of artistic creation and artistic reception of the Soviet Dramatic Ballet.