Research On The Inheritance And Dissemination Of Miao Paintings In Western Hunan From The Perspective Of Intangible Cultural Heritage

Liang’s Miao painting is a representative of Xiangxi Miao painting,as a national intangible cultural heritage,Liang’s Miao painting has rich themes,exquisite skills,and important spiritual value and economic value.The development of Liang’s Miao painting is the epitome of the development of Xiangxi Miao painting,and from Liang’s Miao painting,we can see the problems in the inheritance and dissemination of Xiangxi Miao painting.In the inheritance,There is a problem of vague boundaries between inheritance and innovation in Xiangxi Miao painting,the number of inheritors of Xiangxi Miao painting is small,the inheritance is individu al,hierarchical and special,the relevant personnel have a vague understanding of the space of Xiangxi Miao painting,insufficient protection,and excessive and improper intervention by external forces also cause resistance to the inheritance of Xiangxi Miao painting.At the same time,there is a problem of confusion between inheritance and dissemination in the development of Miao painting in western Hunan Province.Inheritance requires the inheritance of the culture as a whole,which is a kind of vertical transmission;communication is the transmission of cultural elements,which can only spread cultural elements that are beneficial to different cultures,and is a kind of horizontal transmission.However,in practice,it is often the local culture that is inherited and the overall culture that is transmitted,which also leads to the problem that the communication content is not clear,the media is biased towards"marketing" communication,and too much emphasis on "authenticity".Therefore,the idea of the inheritance of Xiangxi Miao painting can be considered from the following aspects,the primary task of the inheritors is inheritance,the vision should be "quasi-ancient" and innovation is the business of cultural and creative workers.Conceptually,we should cultivate the perspective of "wholeness" and "main position",strengthen support for the inheritance group,and strengthen the protection of the habitat of Miao painting in western Hunan Province.In communication,the idea should be clear about the specific content of de-regionalized communication,the dissemination is cultural elements.not the cultural whole;the means should be from the perspective of cultural "same work",the specific means are "experiential" scene communication,"resonance" theme communication,."Guest"flexible communication,"intuitive" sensory communication.the dissemination and inheritan ce of Xiangxi Miao paintings are spiraling processes.and the inheritance of ideas requires overall inheritance;communication needs to be based on understanding different cultures,thinking in a different cultural way of thinking,and spreading in a different culture of thinking.Whether it is inheritance or dissemination,its purpose is to make the development of Xiangxi Miao painting better,to make the various elements in the inheritance better and better,and to make the culture involved better and better,so as to provide assistance for the revitalization of the countryside.