| The thesis takes the digital images of ethnic dance as the main research object,based on the characteristics and creative characteristics of the combination of digital images and ethnic dance,and taking ethnic dance as the standard,explores how the digital images of ethnic dance can expand the creative path of ethnic dance,and probes into the value significance of their own creative development of ethnic dance.At the same time,the author explores the creative characteristics of dance digital images in the context of national dance vocabulary and national spiritual and cultural connotations through the development of three aspects of the work characteristics,creative characteristics,and communication characteristics of dance digital images.To summarize the expansion of digital images on the creative path of ethnic dance,and provide reference for subsequent research and creation.The thesis is divided into three parts,systematically discussing the expansion of digital images on the creative path of ethnic dance.The first part systematically discusses the development,current situation,and characteristics of dance digital imaging.This section takes a comprehensive view of the development process of dance digital images and dance images,and views dance digital images as an evolution of dance images in the context of technological development.At the same time,combining the development status of dance digital images and their integration with national dance,this paper carefully sorts out the characteristics of their works,creative characteristics,and communication characteristics.The second part,based on the form of digital images of ethnic dance works,combines the dance image work "Guandong",and discusses the path expansion of digital images to ethnic dance creation from four aspects:perspective,mode,work presentation form,and ethnic emotional culture.The third part,returning to the perspective of ethnic dance,demonstrates the value and significance of adding digital images to the development of the entire ethnic dance creation,and further considers the issues involved.This article believes that digital images in the process of combining with ethnic dance exhibit three attributes:form,technology,and language.As a form,digital images help break the shackles of the "mirror frame stage" in the process of combining with ethnic dance creation,allowing the work to incorporate a large number of scene design,lens design,and digital design,coordinating with the original dance design,forming a more powerful presentation in the "screen",attracting the audience to maintain a sustained "presence" of emotion.As a technology,digital images promote the combination of virtual and real,design based thinking updates in ethnic dance creation,and promote the formation of an integrated dance creation model.As a language,digital images extend the dance language in the context of merging with the body,and re realize the dance form of"transcending time and space" in the virtual environment narrative and scene construction guided by the camera.As a result,digital images of ethnic dance can anchor and amplify the emotions of the work through multiple transmission,and provide multiple interpretations of the connotation of ethnic culture and ideology with multi-level indicators.At the same time,this article ponders on the value and significance of digital images in the development of ethnic dance creation.First of all,digital images enable the digital production,presentation,and dissemination of ethnic dance,which not only overcomes its instantaneous characteristics as a dance art,but also lays the foundation for innovation in the development of the dance industry.Secondly,the integration of digital images has strengthened the expression form and artistic language of ethnic dance digital image works and even staged ethnic dance,highlighting the emotional and cultural connotation of ethnic dance.In the process of integrating digital images,we should also pay attention to the negative impact of technological development on the creation of ethnic dance,mainly reflected in two aspects:the creator attaches importance to dazzling techniques while ignoring the expressiveness of ethnic dance,and the overemphasis on sensory impact leads to the masking of the national and cultural nature of the work. |