Personalized Historical Poetic Imagination

In the 1980 s,the "root-seeking" poetry phenomenon was the forerunner and an important part of "root-seeking literature".Because it consciously took the relationship between literature and culture as the beginning of writing.In the writings,individual emotions correspond to the deep structure of national psychology,with an obvious background of "seeking roots".The pursuit of epic,long poems and other tome forms of poetry in the form of text reflects the personal literary ambition of tradition.The cultural performance of poetry reading here has become the object of criticism by critics.However,the poet’s strong questioning about the existence of life and the pursuit of the essence and spirit of poetry should be fully discussed.Judging from the social and historical context in which the poems of "seeking the roots of culture" were produced,this phenomenon has a deep relationship with many literary fields."Cultural Root-seeking" poetry was born in the early 1980 s,and gradually emerged in southwest China after the troubled poetry of Misty,forming a path that intersects with the "third generation" poetry."Cultural Root-seeking" poems have something in common with misty poems: they have an elusive relationship with mainstream discourse,and they focus on the artistic thinking of imagery and symbolic systems.The difference between the two is the way of looking for the value system.The relationship between it and the "third generation" poetry is more complicated.It can be said that the two are basically opposites and complement each other.Whether it is cultural construction or rebellion,it is their strategy to enter the literary field.Taking the folk magazines and the main poetry positions as clues,I try to restore the state of dynamic interaction.By examining the poet’s cultural identity and literary resources,we can see the development of poetry more clearly.As a practice of "Han poetry",the classical reconstruction of cultural root-seeking poetry is worth noting.The game transformation from image construction to classical words and the inheritance of the tradition of "creation" are the hidden characteristics of "cultural roots" poetry.The individualized imagination of national myths reconstructs the national spirit.However,the life experience of young poets cannot bear the old spiritual direction,and the "lightweight" treatment of traditional spirit also makes poetry go into the labyrinth of language.Based on the adjustment of many textual problems,the poems of "seeking the roots of culture" changed in the later period.The writing of long poems continues,but it is no longer a Haizi-style epic pursuit.Stepping out of the shadow of the "epic" is what later poets do.In addition,the development of "cultural roots-seeking" poems and root-seeking novels presents a staggered and isomorphic relationship.In terms of the integration of individual experience and historical culture,the writers of root-seeking novels have obviously done more fully;at the text level,relatively speaking,root-seeking novels are more complete,diverse and self-sufficient in the interpretation of culture.It can be said that root-seeking poems have not been resolved issue was further developed.