The Research Of The Underlying Narrative Of Chen Yan’s Novel

As an outstanding writer who won the Mao Dun Literature Prize,Chen Yan gradually gained a lot of attention.His three novels,the novel,the story of Xijing,the story of putting on the stage,and the main character,take the small people who are active at the bottom as the main characters,shows us the true,brutal underbelly of the world.Mainly by means of close reading of the text,the author makes an overall study and analysis of the novel from the perspective of Narratology,and analyzes the concern for the life of the people at the bottom and the noble spirit of the little people depicted in the novel,explore the deeper level of the practical significance,ideological implication.This article is divided into five chapters.The first chapter is the introduction part of the paper,describing the bottom narrative perspective of Chen Yan,combing the author’s current research status,finishing the significance of the study.The second chapter from the bottom of the real life scene,analysis of the bottom of the character image.The First Section first analyzes how Chen Yan presents the reality of the bottom world.Through the narration of the work,life and living space of the lower class,Chen Yan constructed a complete and heavy lower class world,In the cruel bottom world,the bottom people are oppressed from all sides,which leads to the loss of dignity and the loss of self-identity of the bottom people.Secondly,in the second section,we summarize the image characteristics of the people in the lower world.The lower class characters depicted in Chen Yan’s novels can be divided into three types according to their characteristics: the lower class people who are influenced by traditional culture and who have rich life experience and life wisdom;Third,because the bottom of the heavy life and become the inner dark distortion of the bottom.The third chapter specifically analyzes the text of the underlying narrative theme.This chapter expounds the theme implication of Chen Yan’s bottom narration from three aspects.First,this thesis reveals the essence of Life from the perspective of Chen Yan’s novels,from the persevering and compromise of the bottom people,this paper probes into the spiritual choice of the bottom people under the heavy realistic situation,and then analyzes Chen Yan’s spiritual care for the bottom people,and analyzes their self-identity,their noble soul and spiritual dilemma,finally on the basis of the above to explore the bottom of the call for human dignity and self-affirmation.The Fourth Chapter summarizes the bottom narrative art strategy in Chen Yan’s novels.Starting from the narrative strategy of time and space in Chen Yan’s novels,this chapter explores the dramatic life that Chen Yan’s two-line narrative strategy reveals,and analyzes his construction of narrative space under the urban-rural conflict.Secondly,it explores his construction of two kinds of mental space for the people at the bottom,one is the mental pain caused by the misplacement of limited knowledge perspective,the other is the heavy mental atmosphere created by the choice of image.Finally,this chapter explores the original narrative language used in Chen Yan’s novels.The narrative language in Chen Yan’s novels has distinct regional characteristics,which is not only embodied in his skillful use of dialect and colloquialism,but also stems from his use of individualized language in his novels.The fifth chapter is the value significance of Chen Yan’s novel creation in the history of contemporary literature.This chapter first analyzes the inheritance of Chen Yan’s novels to the traditional Chinese literary concept,and then summarizes the narrative style of “Zhuo”as“New”contained in Chen Yan’s novels,finally,this Chapter Explores Chen Yan’s development of the narrative perspective of the bottom literature in the new century.Chapter six is the conclusion.Through the study of the bottom narrative of Chen Yan’s novels,this paper sums up the narrative strategy of his creation,obtains the characteristics and styles of his creation,and probes into the referential significance of his narrative characteristics to contemporary literature from the angle of the bottom care.