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On The Writing Phenomenon Of "Thousand-character Classic" In The History Of Calligraphy In Ming Dynasty

Posted on:2023-11-30Degree:MasterType:Thesis
Country:ChinaCandidate:Y Y LuFull Text:PDF
GTID:2555307046499424Subject:Art theory
Abstract/Summary:PDF Full Text Request
"Thousand characters" is the southern Dynasty when the Liang Emperor wudi to teach all the king’s book,ordered Yin Tieshi Extension Wang Xizhi single word,and then handed over to scattered riding lang Zhou Xingsi second rhyme written a calligraphy book.And because it is the extension of Wang Xizhi,and then through the wang family’s direct grandson Zhiyong Zen master eight hundred books to pass down the family method,since then,many calligrapher to calligraphy to write "Thousand characters",the dynasties remain.Of this study is based on the history of Ming dynasty interval,through the "thousand character classic" having the historical data and works at the time,from the thousands to the evidences,according to the characteristics of literature and calligraphy,the "thousand characters" during this period of time for organizing,shoka ink and work style of multi-angle analysis,tries to outline the generation of "thousand characters" in Ming dynasty calligraphy writing phenomenon.Finally,it briefly describes the influence and inspiration of the calligraphy works on the later generations.I hope to enrich the artistic value of "thousand characters" in the field of calligraphy and improve the historical significance of "thousand characters" research.
Keywords/Search Tags:Ming dynasty, Calligraphy, Writing communication, Thousand-characters
PDF Full Text Request
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