The Conflict Between "life" And "death" In Endo Shusaku's Literatur

There are many different kinds of Tibetan song and dance music and gradually formed in the process of inheritance and development of the five regional style,according to the book "ring the Himalayas music culture research",and can be divided into: according to the music spread regional central music Tibetan agriculture,northern qiangtang grassland music,music worker of forest region,eastern Tibet kham music southeast flow of low music.Gongbu Forest music is a musical cultural belt formed with Gongbu region as the center.It takes archery and hunting in the forest area as the main creative elements,and integrates the life customs of the forest area in the song and dance,which has a relatively obvious rhythm pattern with dots and notes and the dance movements of bow players.It reflects the history of Gongbu and people’s life,and shows the humanities and arts,ethnic religions,production and life of Gongbu area with songs and dances.Gongbu Tibetan song and dance music is mainly represented by "Bo",which is divided into entertainment song and dance and sacrifice song and dance.It is the integration of Tibetan spiritual traditions and values in Gongbu,and it is also an important carrier of Gongbu culture.Using the method of field investigation and literature analysis,this paper analyzes and summarizes the natural geography,literature and art,religious belief and clothing characteristics of Gongbu area from the geographical perspective,so as to trace the development of Gongbubo music from multiple perspectives.Secondly,the author collected three types of song and dance music Gongbubo,Cheibabo,Zhanian Bodong and analyzed their performance forms.From a historical perspective,the author traced the history of Bo to its source,and made a structural analysis of the characteristics of tunes and forms of the three types of song and dance music.Song and dance music has functional characteristics,so the function of Gongbubo is analyzed by integrating various factors from ritual to entertainment.Based on the multi-cultural context existing in the current society,this paper analyzes and thinks about the non-genetic inheritance,original biochemical reappearance and stage optimization of Gongbubo music from different angles.In order to analyze and sort out this song and dance music from various angles and directions,it can provide certain information for the inheritance and development of Gongbu "Bo" to a certain extent...