The Construction And Alienation Of The Eunuch Image In Chinese Film

The eunuch is a product of the rise and dissipation of feudal imperial power,and as a special group of people,it is both a realistic figure with a unique role in history and an aesthetic image with typical characteristics in cinema.In particular,the eunuch character can be found to occupy a strong presence in martial arts films,comedies and historical films.This article focuses on the characteristics of the eunuch image in Chinese cinema and the creative logic reflected in its construction,and examines the value and significance of the eunuch image in Chinese cinema.Firstly,this paper clarifies the concept of eunuchs and the scope of this study based on the records of eunuchs in relevant historical and literary works;secondly,this paper compares the characteristics of the construction of the image of eunuchs in martial arts films,historical films,comedy films and online films.The paper then examines how the image of the eunuch in Chinese cinema is constructed and the constant fate of the eunuch under a specific shaping logic,in terms of its identity,contradictory features and thematic emotions;then,based on the special value of the image of the eunuch itself,it explores its function and significance in the dimensions of subject,symbol and culture,especially analysing the role of its Finally,it discusses the shortcomings of the eunuch image in the process of film portrayal,reflecting on the stereotyping of the image,the lack of attention to the cruelty of the eunuch and the alienation of both the creator and the audience.By studying and analysing how the image of the eunuch is constructed in Chinese cinema,the characteristics and significance of the existing films’ construction of the eunuch’s image,and the shortcomings and deficiencies in the construction,we can observe the voice of the eunuch as reflected in the various depictions and positioning of the film,which can reveal the consciousness of the film’s creators and the social reality reflected in the film,and help to interpret and explore its aesthetic value in Chinese cinema and the relationship between historical and artistic truth.The relationship between historical truth and artistic truth.