A Study Of "the Open" In Heidegger’s Poetics

"The open" is a term widely used by Heidegger after 1930."The open" question is Heidegger’s reflection on how the ability to reveal existence forms,including two dimensions:how dasein open and how truth opens itself.The ability to reveal this is seen by Heidegger as the essence that distinguishes between humans and non humans,therefore "the open" is also the key to forming one’s own essence.Later Heidegger believed that "the open" was a mechanism for preserving "concealment without concealment",which coincided with the essence of poetry’s "establishment of existence".Therefore,"the open" question needs to be explored from the perspective of poetic research,that is "poetry-open".The "poetry-open" ultimately indicates that the revealing ability of this being comes from the "the opener",which is a domain based primordial community that triggers the generation of truth.And for this,this community must be understood through the grasp of the "poetry writing" activity.The article consists of the following parts:Introduction.Heidegger’s anti system and anti traditional metaphysical research approach determines that "the open" is not a definite concept,but rather a certain aspect of his thinking.This situation determines that answering "the open" question requires implementing it in terms of the potential value that "the open" may bring.Only in this way can "the open" problem be carried out in an orderly manner while ensuring the persistence of ideas.The problem with previous research on "the open" was that it overlooked the ontological nature of the issue,often explaining the meaning of "the open" and the formation of dasein’s ability to reveal separately from Heidegger’s overall thinking.The inversion of this method also resulted in the inability to understand "the open" as a whole,and the inability to connect the poetic foundation of "the open" with the issue of "the open".Chapter One: raises the issue of "the open" in Heidegger’s poetic theory.The questioning of "the open" question should be conducted within the "poetry-open" question domain.Poetic theory is Heidegger’s positive and affirmative grasp of the "the open" approach,that is,by discussing the essence of poetry and interpreting specific poets and poetry works,he returns to the initial situation formed here.The perspective of poetics transcends and includes the negative perspective of "forgetfulness of existence" and the formal transitional perspective of "temporality".Chapter 2: Heidegger’s discussion process on "the open" in his poetic theory.By reviewing Heidegger’s own discourse on "the open",the rationality of the "poetry-open" problem can be verified: he ultimately opened up the issue of "the open" with truth and established the essence of human beings in poetic theory,and by examining how Rilke misunderstood "the open" and how Holdrin presented the essence of poets.Heidegger believed that poetry is the best way to open up the open: it points to deeper and broader areas of concealment,and maintains the place where truth is revealed and hidden.Chapter 3: Poetry Ethnic Community: The Deepening and Extension of "poetry-open" Problem.The "poetry-open" displays the mysterious,primitive,and critical characteristics of this in the process of primitive revelation and the primal manifestation of truth.From the comparison between "poetry-open" and related thoughts and its subsequent elucidation,these three characteristics represent Heidegger’s secular orientation.This tendency encompasses both artistic and linguistic communities.The emphasis on poetry and community drove Heidegger away from the political frenzy and ultimately returned to emphasizing the true truth.Chapter 4: The artistic and aesthetic theoretical analysis of the issue of "poetry-open" problem.The concept of "poetry-open" should be implemented on specific issues at the level of poetry theory and artistic theory.Heidegger first constructed a history of artistic essence(existence)that is different from traditional art history,and then identified poets as "semi gods" leading to the "the open" of divinity,thus viewing art as an activity of constructing "the opener".The feature of "poetry-open" is concentrated in Paul Celan’s poetry,which is based on "witness","self forgetting" and "co-existence",which reflects that poetry,with its "openness",leads us back to the original creative situation of language,thus returning to the essence of intimacy between being and existence.The cross cultural,cross national and cross historical functions of the essence of poetry are also the value of "poetry-open",so "poetry-open" is reflected in the axiology as a way for people to truly understand themselves.Finally,the logical chain of "poetry-open" is shown as follows: firstly,the question of "the open" is first raised as a question of how dasein establish the world and obtain its own essence,and its implicit initial meaning is related to the problem of truth generation.Secondly,the reflection on the issue of truth transforms the form of "the open" from a dasein’s suspended event to a "sheltered uncovered" pulling place,which promotes the combination of "the open" and poetry.Afterwards,Heidegger further confirmed the true "opener" in the analysis of Rilke and Holdrin’s poetic theory,and completed the discourse of "poetry-open".Finally,this completion is reflected in Heidegger’s discourse on the original community,which states that "the open" original secret is a community where others coexist.Heidegger’s discourse on "poetry-open" has various problems,such as overemphasizing the ontological perspective and obscuring specific artistic issues,incomplete detachment from the national perspective,and blind faith in early Greek thought.The more crucial challenge comes from Forrest Gump’s ideal of "no work" to distinguish between humans and animals,which in turn takes "poetry-open" to new heights in issues such as poetry and poet’s vocation,human self confirmation,and so on.This is also the inspiration and reflection brought by "poetry-open".