Study On Landscape Narrative And Production Practice Of Yandi Mausoleum In Gao Ping

Under the background of cultural resourcization and intangible cultural heritage protection movement,behind the word "Yan Di",the ancestor of the Chinese nation’s humanity,contains the cultural value as a symbol of the country and the nation.This paper selects the Yan Emperor Mausoleum of Gao Ping as the research object,tries to explore the resource transformation path of the myth of Yan Emperor of Gao Ping from the perspective of landscape production,and focuses on the narrative and production practice of multiple subjects in the landscape construction of Yan Emperor Mausoleum.Gaoping is a traditional coal resource-based city in the southeast of Shanxi,and also a corner of the land of Shanxi with rich culture and history.There is a legend of "Emperor’s tomb" spreading in Shennong Town.Under the background of "economy sets the stage and culture plays the opera",the local government confirmed this legend in the process of seeking transformation and development.The inscription of "Yan Di Mausoleum" in the Ming Dynasty hidden in the side hall of Wugu Temple was revealed to the light of day,thus unveiling the prologue of the Renaissance of Yan Emperor culture in Gaping Area.Landscape production is the main path for the transformation of local Yan Emperor myth resources,thus realizing the evolution of the Yan Emperor myth from the oral existence form to the visual viewing landscape form.Through landscape naming,landscape transformation and scenic area construction,the local Yan Emperor myth into a physical landscape presentation.From the "emperor grave" to the "Yan Di Mausoleum",the place passed important information to the audience clearly,the transformation of the landscape not only makes the Gaoping Yan Emperor myth belief and inheritance field has undergone great changes,the local Yan Emperor myth also can face and influence a wider range of people.The reconstructed Yan Emperor Mausoleum is not only the key to carrying the connotation of Yan Emperor myth,but also the materialization of cultural industry.As a scenic spot,it is used for commercial operation to provide religious consumption and cultural products.Local landscape narrative is used to express the connotation of Yan Emperor myth,and landscape narrative has become an important narrative mode of contemporary Gao Ping Yan Emperor myth.Yandi Mausoleum creates atmosphere and awakens memory through landscape buildings.Through tour guides’ explanation and media communication,landscape narration breaks through the boundaries of time and space.Festival landscape and performance landscape,as part of landscape narrative system,are integrated cultural landscapes invented and constructed.Landscape production is an important and common way to transform local resources,and landscape narration is the main way to present the spiritual connotation of myth.Multiple subject of landscape production is the power of local cultural resources,reconstruct source: local government through the keep up with the trend of the "nation-state",seeking state power support,promote cao bang yan myth narration into the national mainstream discourse system,realize the local economic and social benefits.Local scholars promoted and confirmed the resource value of Yan Emperor myth through media publicity and academic demonstration,but also participated in the process of local cultural production and reproduction.Local people relinquished the right in the landscape production of Yandi Mausoleum,maintained and constructed the local knowledge system with their own experience,and obtained identity and spiritual comfort in the landscape narration of Yandi Mausoleum.Landscape reconstruction is not only the construction of multi-force,but also the process of negotiation between different subjects,which reflects the subject consciousness of multi-subject reconstruction cultural field.