A Study On The Standard Of Dualistic Literary Criticism In Wenxindiaolong

As a representative theoretical work of literary self-consciousness in the Wei and Jin dynasties,the topics contained in "Literary Heart and Dragon Carving" have been analyzed and discussed by scholars from all ages.However,there is a lack of academic achievements in the research from the perspective of "theoretical category" and "aesthetic proposition".This paper studies the binary literary criticism standard of "Wenxin Diao Long",tracing the historical experience and establishment process of the binary literary criticism standard of "Wenxin Diao Long",deeply analyzes the theoretical categories represented by "literary quality","Hua Shi" and "style",and further discusses the aesthetic propositions represented by "Qizheng Hua Shi" and "Fengqinggujun".Thus summed up the literary significance and enlightenment of the dualistic literary criticism standard of "Wen Xin Diao Long".In addition to the introduction and conclusion,the main body of the thesis is divided into three chapters.Chapter One: The binary Literary Criticism of Wen Xin Diao Long Because the standard of binary literary criticism is a complex phrase,and not a proper noun,it first defines its content and meaning.Furthermore,the paper introduces the different characteristics and existing states of dualistic literary criticism criteria,which is helpful to better understand the different influences and significance of dualistic literary criticism criteria on literature under the influence of different dualistic states.It also traces back the historical experience of the formation of dualistic literary criticism in "Wenxin Diao Long" and fully demonstrates the embodiment of dualistic literary criticism in "Wenxin Diao Long".In Chapter two,Theoretical categories of the dualistic literary criticism standards of Literary Heart Carving Dragon Take the most representative "literary quality","Hua Shi" and "Feng Gu" as examples.Through analyzing the specific meaning and innovative significance of these three groups of theoretical categories,it can be seen that Liu Xie carries out literary criticism from different angles and different dimensions in Literary Heart Carving Dragon.And creatively transplanted the theory of metaphor or the art of war into literary criticism,which has innovative significance.The third chapter further explores the connotation and significance of the aesthetic proposition of the binary literary criticism standard in "Wen Xin Diao Long".On the one hand,it enables people to better understand the methodology of literary criticism contained in "Wen Xin Diao Long".On the other hand,it reflects the disadvantages of the binary opposition thinking from the cases of literary history of later generations.Analyzing the literary inspiration of "Wen Xin Diao Long" from both positive and negative aspects is of great significance for guiding literary creators to learn from positive factors,avoid negative influences,adhere to the unity of opposites,cultivate the beauty of harmony,and carry out literary creation from a more comprehensive perspective.