Translation Practice Report Of "Gansu Province 2020 Financial Technology Development White Paper" (Excerpt

Shandong Yinan Beizhai Han Tomb is a typical stone chamber tomb with portraits in the Eastern Han Dynasty located in Linyi City,Shandong Province.The structure of the tomb is complex,the content of Han paintings is rich,the portraits are closely matched with the space of the tomb,and different themes are drawn according to the architectural form of the tomb.The portraits constitute a condensed "universe" of symbolic significance.Among them,the "Portrait of Han Dynasty in Music and Dance and baixi" located on the upper part of the east wall of the middle room shows dances including Qipanwu,Jiangu,Duluxuntong,Feijiandiaowan,Gaogeng,and Xiche in shallow relief sculpture.and acrobatics,as well as fish dance,dragon dance,phoenix dance,leopard dance and xiang dance plays and accompanying bands,etc.,comprehensively and vividly reproduced the magnificent scenes of music and dance in the Han Dynasty.Against the background of the current call for "bringing cultural relics and cultural heritage alive" and the urgent need to reproduce ancient dances,the dance images of the Han Dynasty preserved in the "Portrait of Han Dynasty in Music and Dance and baixi" in the Han Tomb in Beizhai,Yinan,Shandong have great research significance,which can provide the paradigm of movement and the standard of themes for the current dance creation of the Han Dynasty.This dissertation focuses on the research of the dance body language shown in the "Portrait of Han Dynasty in Music and Dance and baixi" in the Han Tomb in Beizhai,Yinan.The main body consists of three chapters: the first section is the contextual study of the "Portrait of Han Dynasty in Music and Dance and baixi" in the Han tomb in Beizhai,Yinan.This part is about the social background of the emergence of the Music and Dance and baixi,as well as the background of the generation of the Han Dynasty portraits and other "social context",and discuss the overall narrative environment and logical "verbal context" formed by the Chinese portraits in the tomb where the "Portrait of Han Dynasty in Music and Dance and baixi" is located.The former refers to the language production and use.Cultural background,the latter refers to the specific scene in which language is produced and used.The second section is the linguistic study of the "Portrait of Han Dynasty in Music and Dance and baixi" in the Han tomb in Beizhai,Yinan.This part uses the theory of "multimodal discourse media system" in "dance body linguistics" to analyze all kinds of music and dance in the image.Specific analysis of Baixi forms,including "non-language" "body" movements,expressions and postures,"non-body" props and formations,and "language" such as "accompanying music" "language" and "pure language" such as "libretto",as well as the overall style of a comprehensive whole,cultural diversity and magical color formed by it as a whole.The third section is the study of semantics and pragmatics of the“Portrait of Han Dynasty in Music and Dance and baixi”in the Beizhai Han Tomb in Yinan.The dual image meanings of "entertaining people" and "entertaining gods",as well as the dual semantics and pragmatics of "metaphysical" and "metaphysical" of the dance body carried by it;on the other hand,discuss the macro background of "making cultural relics alive" in the present Next,it connects the past with the present and explores the practical significance of this research by referring to the realistic role of "Reconstruction of Chinese Painting and Dance".