From Repetition To Generation-Exploration And Practice Of < The Second Nature Series>

Throughout the history of art,both eastern and Western paintings have a lot of repetition of specific image elements.The repetition of painting elements is accompanied by the production of a sense of order,and is often clearly related to people’s world view and some spiritual demands.With the development of society and the arrival of the era of mechanical reproduction,the self-reproduction and random propagation of ready-made images have broken the myth of "uniqueness" deeply rooted in the public aesthetic consciousness of traditional painting.At the same time,it releases the psychological strength contained in repetition,which is the form of a certain idea derived from the painting image in the process of repetition.Starting from the case analysis of the typical element repetition in the early eastern and Western art,this paper makes an in-depth analysis of the relationship between repetition and spiritual appeal from the painting element repetition as a sense of order to the form of carrying ideas.Based on the relevant cases of contemporary art,and combining with Chinese and western philosophical thoughts,this paper tries to reveal the internal relationship between the formal language of repetition and the expression of ideas.Then on the basis of the above research,establish the creative intention and expression techniques.In order to capture the pure reaction of animals in the natural state as the creative motivation,the author tries to strengthen the real state of the object through image repetition and minimalist modeling,so as to symbolize the image.