A Study On The Generation Mechanism Of Poetry In The Tibetan Literary World During The Period Of “the Seventeen Years” Literature

The poetry development in Tibet during the period of “Seventeen years”was quite fruitful.The poetry not only recorded the development of socialist society in Tibet,but also constructed literary discourse and aesthetic forms that were unique to this period.However,as the poetry works that opened up contemporary literature in Tibet,they have not received the attention and thorough research they deserve in the study of contemporary Chinese literature history.In the limited research conducted so far,they still remain at the traditional level of research such as poetry themes,language,literary techniques,and poetic imagery,with a lack of diverse research perspectives.The Tartu-Moscow Semiotic School,which emerged in the early 1960 s,establishes connections between the internal structure of a text and non-textual structures,conducting a systematic and holistic examination that focuses on analyzing the relationships between various elements.This theory is very suitable for the literary production environment during “the Seventeen years” period,as it avoids the limitations of focusing solely on the text while also avoiding the drawbacks of excessive extension of information outside the text.Based on this theory,research is conducted by treating external texts and the main text as two equally important pillars.From the perspective of external texts,highly concentrated ideologies,the experiences and consciousness of poets and readers themselves,and the novel geographical environment of Tibet have all sparked the creation of the text.Especially during this period,the emergence of political status has led to a uniformity in poetry creation,and Tibet,located in a minority ethnic region,has also joined the mainland literary circle in singing the socialist anthem,with the information contained in the poetry being specific and clear.From the perspective of the text itself,poetry has its own language.Poets have made explorations and attempts in selecting words,arranging sentences,controlling rhyme,and using artistic techniques,forming a set of meaning paradigms carrying rich socialist cultural information.Poets attempted to establish a poetic field with boundaries,independence,and directionality,forming a socialist poetry tone that is popular,ethnic,and vibrant.Although “Seventeen Years”literature is controversial,due to its exploration and attempts in literary discourse,it has become a pathway for constructing modern Chinese poetics.The great enthusiasm for socialist construction led to a rich output of creative works in a short period of time,and also gave rise to a new socialist aesthetic form that embodies the moral pursuit of the industrial age.Lottman believed that the contradiction and conflict between various elements in artistic texts are the important mechanisms for generating meaning,which has formed an extremely unique literary discourse in the history of literature.Based on the poetry works of Yang Xinghua,Gao Ping,Xiao Diyan,Xu Guanzhu,Rao Jie Basang and other poets,this thesis discusses the reasons,paths,and processes of poetry creation from both the text itself and external factors.Firstly,this thesis examines the influence of external factors on poetry creation from three perspectives: ideology,author and reader,and time and space.Secondly,this thesis analyzes and interprets the poetry text itself by examining the extension of vocabulary and sentences,and discusses how language reflects ideas.Finally,this thesis focuses on exploring the cultural characteristics and aesthetic significance of poetry during this period.During this period,poetry exhibited cultural characteristics of heterogeneity and asymmetry,and through the establishment of "boundaries",it reflected a distinct socialist literary discourse.In terms of aesthetics,under the influence of highly centralized ideology,an aesthetic ideal of praising labor and pursuing lofty morality was formed.The integration of text and external factors jointly formed the ideological unity and socialist aesthetic of Tibetan poetry during this period.