| With the development of society in the new era,the emergence of new living experience and living experience,narrative activity has aroused people’s attention again,and has great significance to the world of human living experience.Spanish artist Marge Puig is defined as an "alchemist".With his unique artistic creation concepts and ways,he refines essence through complex reality.This is undoubtedly a zero degree narrative mode proposed by French literary theorist Roland Barth.The themes of Marge Puig’s works are based on the landscapes of everyday life and travel,such as scenes and characters among beachgoers,market walkers,family members;Works with its unique perspective,flat painting style,bright colors and a summary of the way to make eyes shine.This paper mainly discusses in four chapters: the first chapter mainly defines the concept of "zero degree narrative" and analyzes the presentation of "zero degree narrative" in paintings.The second chapter discusses the origin of zero degree narrative in Maggi Puig’s painting schema and the internal logic of zero degree narrative from the early growth environment of the artist.The third chapter is an overall analysis of the performance characteristics of artist Marge Puig’s painting schema.The first part discusses the artist’s work from the two directions of the use of light and unique perspective,and interprets the spirit connotation and the uniqueness of his painting schema under the zero narrative mode.The second part,through the three series of beach,architecture and family in Maggi Puig’s painting works,carries out the research on the expression form of "zero narration" in Maggi Puig’s painting schema,and analyzes the composition,color,technique and texture of his works.The fourth chapter explains the realistic significance of "zero narration" in Magi Puig’s painting schema to the creation of art painting and the inspiration and influence of his unique formal language and painting concept to the author’s creation.By studying Marge Puig’s works of art,artistic aesthetics,social criticism and other aspects,it is found that he has laid the foundation of philosophy of life and art in a series of theoretical issues such as truth and falseness,beauty and ugliness,good at evil,and at the same time provided new inspiration and practical reference value for art theory researchers in the new era. |