A Study Of He Duoling’s Painting: On The "Poetry" In Chinese Freehand Oil Painting

As a contemporary lyric realistic oil painter,He Duoling has his own temperament of melancholy and sensuous poet.In the complex social changes to maintain the pure love of painting.In ancient times,there was Wang Wei who "put poetry into painting".In modern times,there was He Duoling who revealed his poetic nature into the picture.He implicitly expressed his poetic feelings in his paintings.Oil paintings from the 1980 s to now are the carrier of his poetry,but also the direct reflection of his rich spiritual world.He Duoling’s painting language is mostly based on techniques,and he enjoys the fun skills bring him in the process of painting.He looked forward to finding his own artistic language in painting.The "poetry" in his paintings comes from his love for and influence on Western poetry and literature.In recent years,He has combined oil painting with ancient Chinese poetry,and the title of his works is taken from Tang Dynasty poetry.Poetry in painting also has a change of direction.This paper explores the "poetry" in freehand oil painting from the poetic aspect of He Duoling’s painting and the current hot topic "freehand oil painting".Freehand oil painting,as a new art topic,has been discussed and studied by more and more artists.Mr.Fan Dian believes that freehand oil painting is an academic phenomenon and a new cultural choice in contemporary China.Since Lin Fengmian proposed the "fusion of Chinese and Western",it is no longer just a simple fusion of oil painting materials and techniques and traditional Chinese painting.With the continuous deepening of traditional culture and spiritual connotation,freehand oil painting has gained new development.Chinese freehand oil painting perfectly integrates the spirit of eastern freehand with western oil painting,and the freehand oil painting has the linguistic characteristics of Eastern culture,which comes from Chinese traditional culture and regional culture.This paper takes He Duoling as the research object,and through studying his paintings including style evolution,spiritual connotation and poetry in paintings,it concludes the poetry in freehand oil painting,including how freehand oil painting combines more deeply with Chinese traditional culture and regional culture,and thinks about the future trend of the artistic language of freehand oil painting.It mainly discusses from four chapters.The first chapter mainly describes He Duoling’s career experience and the evolution of the whole painting style.From his unique artistic life,this paper summarizes the changes of his painting style in different periods,and interprets the typical works in different periods,aiming to better understand the unique poetic spirit of He Duoling’s painting.The second chapter mainly analyzes the artistic language features of He Duoling’s painting,in which formal language plays a very important role.It separately analyzes the brushstrokes,colors,Spaces and themes of his works,so as to understand the lonely and mysterious "poetic" realm expressed in his painting creation.The third chapter discusses the whole artistic process of Chinese freehand oil painting,and discusses the relationship between "poetry" in freehand oil painting,and analyzes the "poetry" in He Duoling’s painting.Finally,the fourth chapter discusses the relationship between Chinese freehand oil painting and traditional culture and regional culture.How to further understand the noumenon language of freehand oil painting? How to further combine Chinese traditional culture,spiritual connotation and regional culture with Chinese freehand oil painting? To have a deeper understanding of this kind of "poetic" with a strong Oriental freehand spirit.