History,Field And Feelings

In 2021,on the occasion of the centenary of the founding of the Communist Party of China,the symphonic choral "Ode to Nan Liang",co-created by the famous Chinese composer Zhang Qianyi and lyricist Qu Yuan,came into being,becoming the first large-scale symphonic choral artistic creation in contemporary times to vividly depict the formation and development of the Northwest Revolutionary Base."Ode to Nan Liang" integrates literature and music art,praises the revolutionary spirit of the Chinese Communists represented by Liu Zhidan,Xie Zichang,Xi Zhongxun,etc.during the agrarian revolution,praises the immortal historical status of "Nan Liang",and shows the spiritual outlook of the people of northwest China in the new era.The musical structure of the eight chapters is large,and the dynamic development of historical twists and turns with the beauty principle of "opposites and unity" musical forms,"heterogeneity and isomorphism",and the symbols with historical and humanistic imagery in the lyrics.The rich and exquisite singing arrangement is interwoven with the grand foreground or background symphonic music,forming a gorgeous and well-structured "panoramic" audiovisual.Among them,the review and re-writing of classic revolutionary songs not only pay tribute to history and humanistic spirit,but also open a new chapter of continuous development in the new era in memory.The musical expression rich in regional style has always been closely related to the public’s auditory aesthetics,effectively showing the delineation of regional culture and the humanistic customs of Longdong region;The point-and-point metaphors of "Red Boat Spirit","Jinggangshan Spirit" and "Long March Spirit" achieve the ideal realm of "truthfulness,goodness and beauty" in the immersive aesthetic of "the unity of things and me",so that the "ego" can be sublimated by the spirit of "country" in empathy.It vividly embodies the centripetal cohesion of the Chinese nation and plays the strong voice of the times in the old revolutionary areas of northwest China.Based on the analysis of the music ontology,audio-visual experience and related materials,this paper divides the three aspects of the aesthetic image characteristics of history,field and feelings into five parts.First of all,from the works,the introduction of songwriters and the creation of history and time background to comb and analyze.Secondly,starting from the title of the work and the literary symbols with historical and humanistic imagery,the mapping of the meaning of its historical development is analyzed.It also analyzes the tortuous dynamics of the "heterogeneous and isomorphic" revolutionary history from the formal beauty of the "opposites and unity" of the musical form;Then,the historical twists and turns of the dual-construction revolution are summarized;Because the work reviews and rewrites classic revolutionary songs,it effectively opens memories in emotional resonance,continues the chapter of the times,and forms an emotional "macro bridge" between history and the present;Through the rendering of musical mood and sound color,the history is revived.Thirdly,from the conception and expression of regional music features and the description of obvious regional customs in the works,the image delineation of regional cultural circle and the aesthetic presentation of humanistic customs are analyzed.Based on the synesthetic correspondence of music rhythm,emotion,sound characteristics and other elements to auditory stimuli and the stimulation of imagination,the paper analyzes the outline of the battle scene and a wider range of field images.Due to the genre characteristics of symphony and chorus,they give full play to the characteristics of Ci and music and integrate with each other,thus showing the revolutionary historical feelings,democratic feelings and "feelings of home and country" incisively and vividly,and finally achieving the aesthetic ideal state of beauty and sharing.Finally,summarize the south Liang Song stand at the height of the national spirit and people’s fate,to look and music as the carrier,metaphor,of which suggest that work full of vigour of the new era spirit,with strong outstanding artistic attainments and aesthetic value.It uses the "bridge" of music art to construct the history and the present,and forms the living image of the Party history materials in the new era.It not only fills the blank of large-scale literary and artistic creation in the old revolutionary base areas in Northwest China,but also makes up the memory of the fault of the generation,which has high historical value and practical significance.To Longdong,history,folklore,art and culture inheritance and carry forward,infiltration of the humanistic spirit and feelings into a new era in the northwest of socialist successors "sheer forward,work energetic" source and spiritual guide.On the basis of good public aesthetic audio-visual creation,it resonates and finds a home,plays a role of enriching and stimulating cultural life and promoting harmonious coexistence,and has a strong social and humanistic value.