| As a folk sports event,Yucun drum cart is not only a physical exercise project for local villagers in recent years,but also an important support to promote the development of local tourism economy.The documentary,on the one hand,aimed at showing drum cart race to the audience,on the other hand,by interviewing related project director,to show the process of drum cart’s development.As the rural population loss seriously,severe epidemic situation emerge,in such cases,the drum cart as a high intensity game,its development faces great difficulties.The background of this documentary is the development status of Yucun drum cart since the epidemic of COVID-19 in 2020.Since the epidemic grows,governments at all levels have responded positively and issued relevant notices.In particular,during the tense period of the epidemic,all kinds of cultural and sports entertainment activities have been banned.Yucun Drum Cart has a history of more than 2,000 years.It is located at the foot of Guye Mountain.There are many cattle and sheep animal husbandry.In history,plagues have occurred frequently.The villagers use drums to shock plague for a long time,an important role of the drum cart is to shake the plague,and now with the advent of the industrialized society,the flow of people is relatively large,and the villagers go out to work one after another.Using drum to shake the plague was abandoned in this era.The protagonist of this documentary is Mao Dequan,the inheritor of the intangible cultural heritage of the drum cart,the leader of the drum cart in Yucun for more than 50 years.This documentary titled "Drum Cart · People".Through interviews,the documentary showed the development and historical background of drum cart,so as to reveal various information of drum cart in Yucun.This documentary involves interviews and real scenes of Yucun,it adopts the creative mode of Gleason to actually restore the recovery process of modern drum cart activities,the formation background of each drum cart,and the detailed process of the drum cart activities,and also restore the real dilemma of a intangible cultural heritage inheritor. |