"Intersection" And "Extension" - The Creative Characteristics And Teaching Exploration Of The Two Preludes Of Fauré Op.103 No.4 And Debussy's "Il Troubadour

From the mid-19th century to the early 20 th century,it was an important milestone in the transformation of European music styles.Various literary and artistic categories flourished and developed in Paris,France,the European art and cultural center.As a composer at the turn of the century in France,Gabriel Faure,while inheriting the classical romantic style,was influenced by the ideological transformation and nationalistic style of the same era.His creations reflected a valuable national and contemporary character,demonstrating the "pioneering" state of impressionist music.Achille Claude Debussy,as a pioneer in the aesthetic concepts of music at the end of the 19 th century,led the impressionistic music that had a profound impact on modern composition techniques in the 20 th century.During their mature creative period,the two composers jointly selected the genre of piano preludes as their creative object.Through the unique short,improvisational,and technical characteristics of the genre of preludes,they demonstrated their respective musical aesthetic concepts and creative language.From the perspective of music creation and performance interpretation,this article uses the methods of literature research,historical research,text analysis,and performance practice to analyze and summarize the music theme,structure,harmony,and mode of the two piano preludes "Op.103 No.4" by Faure and "Minstrels" by Debussy,in order to reveal the performance and teaching application of the music.The full text is divided into three parts: introduction,text,and conclusion.The text consists of three chapters: Chapter 1 explores the similarities and differences in the creative concepts of Frye and Debussy;The second chapter analyzes the music theme,music structure,harmony,and mode application in the works,focusing on the critical period of the transition from traditional techniques to impressionistic techniques by Frye and Debussy.Through the shaping of short sentence themes in the music theme creation,the block collage structure with the characteristics of impression structure is formed,as well as the innovative application of harmony modes;The third chapter combines the thinking of intersection and extension with the author’s performance practice,and puts forward some thoughts and suggestions from the aspects of performance technology and teaching application,the mastery of music style,the training of music spatial sense,and the arrangement of tracks.