A Study On The German Translation Of Irony In I Am Not Madame Bovary From The Perspective Of Relevance Translation Theor

Tree grain is a kind of decoration that accompanies the emergence and growth of human civilization.It is the reflection of human’s early view of nature,religion and the universe.It mostly exists in the name of the tree of life and the holy tree.It originates from the common cultural phenomenon in the primitive folk beliefs,and has gradually formed a variety of tree images through the derivation,collision and dissemination of multiple cultures in different geographical environments of the world.Human civilization is moving towards isolation and common prosperity.The emergence of the Silk Road will connect the Eurasian continent,bringing together many developing cultures on the Silk Road,and presenting a cultural face of competition.The tree-print image can be traced at home and abroad,but due to the space problem,this paper only takes the tree-print image of the fabric unearthed from the Astana Tomb Group as the main entry point to study westward,focusing on tracing its original images from the ancient two river basins,ancient India,and ancient Egypt.The general research contents are as follows:(1)Based on the literature and archaeological materials,from the perspective of image arrangement,we will sort out the tree-grain fabrics in the Astana tomb group.With the help of the blending and typicality of the tree-grain in the sorted fabrics in the Eurasian tree-grain,we will deduce the ancient times from the present,sort out the tree patterns in various ancient civilizations from different time and space perspectives,and present them in the form of tables and drawings,and summarize the image characteristics of the tree-grain in the ancient civilization embodied in the tomb.(2)In combination with the written records,the ancient civilization that can be traced back to the tree pattern image in the fabric unearthed in Astana is roughly sorted out.In addition to the basic sorting of the time and region,social economy,and folk customs of ancient civilizations,the image of tree gods and plant gods in the myths of various ancient civilizations and the worship of tree gods in the religions involved are also emphatically analyzed,and the connotation,emotion,and regional culture they symbolize are discussed by constantly searching for the connection points,Try to present a relatively basic worship model of the divine tree.(3)Through the research in the first three chapters,and finally in the fourth chapter,the author gives a brief introduction to plant patterns,analyzes the direct or indirect impact of plant patterns on human beings according to the typical plant worship rituals in various regions of Asia and Europe,and explores its role in promoting the formation of human rational thinking through analysis and demonstration,and tentatively puts forward this view: plant patterns are the symbol of the initialization of human civilization rational thinking.