Research On Huang Bosi’s Concept Of Art Criticism In The Northern Song Dynasty

Huang Bosi is an art connoisseur and writer of the Northern Song Dynasty,mainly active in the late Northern Song Dynasty.On the basis of Mi Fu and others,with the help of history,philology,epigraphy,etc.,through the text,character history,literary style,material and form,artistic style,etc.,he promoted the previous generation of law books.Famous paintings,research on gold and stone artifacts.In the handed down book"Dong Guan Yu Lun"(《东观余论》),Huang Bosi upholds the academic attitude of distinguishing falsehood and seeking truth,and deliberately corrects the mistakes of previous studies,and integrates the verification of classical,ancient law,and ancient meaning in art history appraisal and aesthetic appraisal.In the three types of activities of self-evaluation of art,the concept of art criticism is constructed that understands history through ancient times,aesthetically respects ancient times,and creates in harmony with ancient times.Among them,Shi Zhitonggu is the core orientation of his art criticism concept.Based on his exploration of the authenticity of his works,he transcends the general concept of advocating ancient times and advocates the study of art history in the distinction between authenticity,distortion,chaos and forgery.Based on this,his aesthetic perception and appraisal of works of art is also rich in textual evidence,empirical,and empirical colors,and can take into account the style and individuality of the times,which motivated the literati in the late Northern Song Dynasty.The popularity of quaint aesthetic taste;finally,in keeping with his academic research,his personal literary creation is modeled after the Wei and Jin Dynasties,oriented towards quaintness and high rhyme,and adheres to the relatively conservative concept of conformity to the ancient times.On the whole,compared with his predecessors,his art criticism has greatly expanded its objects and scope,and has received strong support from art history research.Therefore,although there are some conservative concepts,it has promoted the development of Song Dynasty art criticism in the direction of empirical research.,Has progressive significance.