Descent Of "Divinity" And Manifestation Of Humanity

The word "role",not only refers to a character in the play,but also the abbreviation of "social role".In artistic creation,role shaping is a very common artistic creation technique,but it is also the punchline of artistic creation.The most important success factor of an excellent work is also the creation and shaping of characters.Through the actors’ understanding and interpretation of the characters in the work,the plot and emotions of the characters as well as the connotation of the whole work are expressed.Therefore,for the art of dance,role creation is the soul of dance works,a key point and throughout.Dance performance,as a traditional form of performance,is based on the body language of dancers,and takes the expression of emotions as the sustentation.Through the movement form,emotional experience,manner and expression of dancers,dance performance is an art form reflecting the human feeling,fate twists and turns and social life in the world.Its main display is not only to bring "beautiful" visual feelings to the audience,but also to convey feelings to the audience in the form of shaping characters,to explore a kind of beauty from "human nature" and spiritual sublimation.Through understanding,experiencing and reflecting roles,dancers enter the role state from the simple to the deep,feel the emotions of the role,and present the connotation of the role.Based on the "form",the dance works fully show the connotation of their inner soul--"God",create dynamic and intuitive characters and story plots,and reveal the "humanity" through the roles.To convey strong emotions to the audience,to establish emotional resonance.The main body of this paper is divided into three chapters.Chapter 1,"Roles: Representation and Meaning".It mainly discusses stage roles,social roles and roles in dance works around the word "role",analyzes the focus of role shaping in different art categories,and considers the value and significance brought by roles in dance works.Including the depth of thought that the dancer needs to have in shaping the character.Chapter Two,"Dancers Dance with ’Characters’ ".From the dancer’s first self(actor),and second self(role)duality of the relationship between the emphasis on "true self" and "false self" is a unity of opposites,analysis of the actor’s second creation in the process of dance performance,and from the dancer’s movement "form" state,the "god" state of the heart and the "emotion" state of the face,Based on the analysis and interpretation of the behavior,psychology and emotion of the characters in the dance works,the author continues to discuss the creation of dancers and roles.Chapter three,"The transition of dancers into roles".It analyzes and summarizes the creative process of dancers themselves entering the "role" state through the three periods of role creation,namely the period of understanding,experience and embodiment.Through the analysis of the process of understanding the role,bringing the emotion into the role,constructing the imagination,and finally presenting the role,the author deeply considers the different theoretical viewpoints of the dancers in creating the role.In a word,from the perspective of "role" creation in dance performance,this paper analyzes the process of dancers’ understanding,experience,embodiment and presentation of roles,as well as the emotional transition of dancers into roles and mutual conversion.Combined with the presentation of roles in some dance works,this paper extends the executable method step by step,from the outside to the inside,and raises it to the level of theoretical research.In order to provide a reference for the role creation in the dance art of theoretical basis,for the deeply loved dance career contribution.