| The artistic analyzes the artistic expression of animal images in the secularized mural "Three Kings Come to Worship" created by the Medici family on behalf of Gozzoli during the Western Renaissance.By examining how the depiction of birds and animals in Western fresco scenes fits in well with the realistic style of Song dynasty flower and bird paintings,it sparks thoughts on the expression of animal images in Eastern and Western paintings and leads to a horizontal comparison of animal image performance in the East and the West,revealing similarities and differences in visual sense and expression techniques.Gozzoli combined religious themes with secular life in murals such as "Three Kings Come to Worship," resulting in a work of great historical value.The fine portrayal of animal images and the ability to organize pictures are amazing.By collecting background information related to the paper,sorting out images,and combining his own learning background,the author attempts to find a new breakthrough in the way of animal expression and apply it to the creation.Western Renaissance and Song Dynasty Academy painting,as the two peaks in the history of Eastern and Western painting,are not only products of the times,but also the recreation of artists in the process of speculation.It is worth considering what will happen to the natural landscape represented by traditional media in today’s digital age.As Shitao stated,"Those who paint are those who paint from the heart." What is required for the viewer is an emotional resonance with Profession rather than a simple representation of the natural landscape.Animals are no longer just animals;they are a concept that represents the spirit of the times and the projection of human emotions. |