| The medium scene of painting and the current development of Chinese thematic character creation have aesthetic vision.When many painters create medium-shot composition,the visual image is naturally depicted in the canvas,which is called the scene in the film and the picture is called the composition.The figure is regarded as the ideological carrier in the medium scene painting,and the diversified perspectives of looking down,down and up are subjectively transformed to present different visual feelings.The second chapter selects the works of representative Chinese and foreign painters for specific image analysis,introduces the aesthetic connotation,finds out their artistic rules and functions,analyzes the visual characteristics of the combination of medium scene figures,and the carrier form of medium scene composition created by thematic figures.The picture has the Chinese subjective painting language of "sense of dreariness" and "sense of fullness",which not only shows the spatial sense of panoramic figures,It can also highlight the sense of close-up of close-ups.The third chapter is a detailed analysis of the creation strategy of the combination of characters in the middle scene.The swarty and bold character images and characteristic costumes reflect the "full sense" brought by the extreme cold environment in the far north region.Select the influence on the author’s creation of the theme of the far North region,use the appropriate style to show his artistic creation propositions,the composition and dynamic force of the group scene,how to use a small number of characters to express the grand form and sense of power in winter,avoid the scene too busy with a few more than a few,and further analyze the direction of their own creation.Using the technique of composition to guide the visual expression of thematic creation emotion,the creation of characters in the middle scene has rich artistic value. |
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