Research On Feng Ban's Thoughts On Calligraph

The late Ming Dynasty and the early Qing Dynasty were important turning points in the history of Chinese calligraphy,and also the periods when the theory of calligraphy and the aesthetic thoughts of calligraphy and painting were the most active and abundant.The first chapter of this paper starts from Feng Ban’s family studies and life,mentions his father Feng Fujing and his brother Feng Shu,and discusses the family growth environment as a starting point.The second chapter is how Feng Ban redeemed himself and occupied a place in the ideology and culture under the background of the early Qing Dynasty.The third chapter starts from the origin of Feng Ban’s book study thought,elaborates Feng’s book collection experience,the influence of Yushan School of poetry and the fashion of the early Qing Dynasty book circle.In Chapter four,the author starts from the two aspects of "ability" and "mind",through in-depth analysis of the origin,connotation and significance of ability and mind,thus affirming the value of Feng Ban’s works including Blunt Yin Shu Yao.Chapter five summarizes the full text and puts forward the shortcomings.The whole discussion is carried out from Feng Ban’s various fields combined with the view of calligraphy concept,so as to reveal the significance and enlightenment of Feng Ban’s calligraphy concept in today’s society.