| Freehand oil painting has developed from the perspective of Chinese and Western integration.On the one hand,its spatial characteristics absorb the spatial concept of the integration of subject and guest of Chinese traditional painting,and on the other hand,it integrates the structural and related spatial construction mode of western modern painting.On this basis,with the help of the expressive characteristics of oil painting language,the order of color language based on the level of spiritual space.And thus derived the triple connotation of freehand brushwork oil painting color language.Therefore,the discussion on the color language space order of freehand oil painting has become an important topic that cannot be ignored in the development process of freehand oil painting.This paper focuses on the spatial order of color language in freehand brushwork oil painting.Firstly,starting from the concept definition,clarifying the concept of freehand brushwork painting color language,the color language,and discussing the space order scope and the contents of the paper,and clearing the obstacles of the concept definition;summarizing the influence of the concept of spatial order of the art of the freehand painting,discuss the key chapters of the paper,namely the triple connotation of the spatial order from three levels.From the three levels of realistic spatial order,spiritual spatial level and spatial order of image,how the color language of freehand oil painting is based on the realistic space and spiritual level,so as to achieve the wonderful environment of image spatial order.And through the typical artist works examples to further deepen the connotation of the specific expression.Finally,from the perspective of personal artistic practice,the paper expounds the inspiration and perception of the color language space order of freehand oil painting on my graduation creation,so as to expand more possibilities of freehand oil painting from the way of thinking to the concrete expression. |
PDF Full Text Request