Keyword [Sarah]
Result: 101 - 118 | Page: 6 of 6 |
| 101. | Visuality, perception, and the self in works by Edith Wharton, Willa Cather, and Sarah Orne Jewett |
| 102. | Religion, education and gender in eighteenth century Rhode Island: Sarah Haggar Wheaten Osborn, 1714-1796 |
| 103. | 'A precious season at the throne of grace': Sarah Haggar Wheaten Osborn, 1714-1796 |
| 104. | Geschichtsbewusstsein und Erinnerungsspuren in der Lyrik von Sarah Kirsch: Eine Analyse ihrer Bildersprache. [German text] |
| 105. | Dystopian performatives: Negative affect/emotion in the work of Sarah Kane |
| 106. | From the madhouse to the unreal city: The dramatic monologue, polyvocality, and agency in Robert Browning, Sarah Piatt, and T. S. Eliot |
| 107. | The Gender Writing In Victoria Trilogy |
| 108. | Life Writing In Sarah Orne Jewett's The Country Of The Pointed Firs |
| 109. | The Private Life Writing In Sarah Waters's Novels |
| 110. | The Costume Significance Of Sarah Waters "Victorian Trilogy" |
| 111. | A Study Of Spatial And Sexuality Of Sarah Waters' The Night Watch |
| 112. | The Female Gothic Narrative And Gender Politics In Sarah Waters' Fingersmith |
| 113. | Affinity Of The Marginalized Living Among "Other Victorians":the Spatial Narrative Study On Sarah Waters' Affinity |
| 114. | An Analysis Of Alienation In Sarah Kane's Plays |
| 115. | An Analysis Of The Main Characters In Affinity By Sarah Waters From The Perspective Of Jung's Archetype Criticism |
| 116. | An Analysis Of Female Images Of Tipping The Velvet From The Perspective Of Naturalism |
| 117. | Gender Identity Studies In The Works Of Sarah Lucas |
| 118. | On Lesbian Identity In Sarah Waters' Novels |
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