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Keyword [Dickens]
Result: 161 - 180 | Page: 9 of 10
161. Charles Dickens's 'Great Expectations': The Failed Redeemers and Fate of the Orphan
162. Chocolate from Dickens to Joyce: The changing iconography of cocoa in turn of the twentieth century Britain
163. Dickens' critical response to Carlyle: Work, justice, and judgement in 'Bleak House' and 'Past and Present'
164. The Christian symbolism in Charles Dickens' 'A Tale of Two Cities'
165. Comic pragmatism: Dickens and early-Victorian stage farce
166. Masculinity and the English working class, 1837--1908 (Charles Dickens, Elizabeth Gaskell, Charles Kingsley)
167. 'The dark and dreadful interest': Charles Dickens, public death, and the amusements of the people
168. Debating disenchantment: The Victorians and modern ethics (Jeremy Bentham, Alfred Tennyson, Baron Tennyson, Matthew Arnold, Charles Dickens, Thomas Carlyle)
169. Realism and the cult of altruism: Philanthropic fiction in nineteenth-century America and Britain (Charles Dickens, Nathaniel Hawthorne, George Eliot, William Dean Howells)
170. Reverie, reading, and the Victorian novel (Charlotte Bronte, Charles Dickens, George Eliot, England)
171. Performative authority and responsibility: 'Wills' and copyright in Richardson, Dickens, and Trollope (Charles Dickens, Samuel Richardson, Anthony Trollope)
172. 'Your reclamation': The Gothic child and moral restoration in Charles Dickens's 'A Christmas Carol'
173. Dickens, cognition, and cross-modal vision and touch: Seeing and feeling in Dickens's hand-eye, railway metaphors (Charles Dickens)
174. A multidimensional history: Film adaptation of British classic novels in America (Charles Dickens, E. M. Forster, Jane Austen)
175. Dickens and Darwin
176. Narratives of Faith: 'The Life of Our Lord' and Charles Dickens's 'real Christianity
177. Charles Dickens's American audience
178. Personal business: Character and commerce in Victorian literature and culture (Charles Dickens, George Eliot, Anthony Trollope)
179. In the canon's mouth: Rhetoric and narration in historiographic metafiction (J. M. Coetzee, South Africa, Peter Carey, Australia, Salman Rushdie, Daniel Defoe, Charles Dickens, Laurence Sterne)
180. 'Ready to trample on all human law': Financial capitalism in the fiction of Charles Dickens
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