Keyword [Dickens]
Result: 181 - 200 | Page: 10 of 10 |
| 181. | 'Whom do you take me for?': Imposture and narrative self-fashioning in the Victorian novel (William Makepeace Thackeray, Charles Dickens) |
| 182. | Fever Narrative in the Fiction of Charles Dickens |
| 183. | Novel relations: Dickens, narrative realism, and nineteenth-century mathematics |
| 184. | Spaces of the sacred and profane: Dickens, Trollope, and the Victorian cathedral town |
| 185. | Gendered nations and their literary representation in Dostoevsky's and Dickens's novels and journalism (Fyodor Dostoyevsky, Russia, Charles Dickens) |
| 186. | Belated travelers and posthumous children: Phantoms of Romanticism in Victorian literature (Charlotte Bronte, Emily Bronte, Charles Dickens) |
| 187. | Curiosity, fraternity, and nineteenth-century fiction (Charles Brockden Brown, Washington Irving, Edgar Allan Poe, Nathaniel Hawthorne, Charles Dickens, Arthur Conan Doyle) |
| 188. | Dickens and mystery (Charles Dickens) |
| 189. | The quest for an egalitarian relationship: Charles Dickens and the pseudo-sibling romance |
| 190. | Withdrawing from History: Wordsworth, Scott, and Dickens and the Afterlife of the Scottish Enlightenment |
| 191. | Mapping, mobility, and selfhood in nineteenth-century narrative: Sir Richard F. Burton, Herman Melville, and Charles Dickens |
| 192. | A legacy of letters: Inheritance and feminine identity in Charles Dickens's 'Bleak House' |
| 193. | 'By the express permission of the author': Intellectual property and the authorized adaptations of Charles Dickens |
| 194. | The value of storytelling: Charles Dickens, Wilkie Collins, George Eliot, and the business of novel-writing in the nineteenth century |
| 195. | Stretched out on her grave: Pathological attitudes toward death in British fiction, 1788--1909 (Emily Bronte, Wilkie Collins, Bram Stoker, Mary Wollstonecraft, Charles Dickens, Ireland) |
| 196. | Held captive to a picture: Visual experience in nineteenth-century texts and early film (Charles Dickens, Charlotte Bronte, John Ruskin, Sir Alfred Hitchcock) |
| 197. | Gendered pathologies: The female body and biomedical discourse in the nineteenth-century English novel (Thomas Hardy, H. Rider Haggard, Charles Dickens) |
| 198. | Gender and the body in Charles Dickens's novels of the 1850s |
| 199. | Pressing subjects: Social economy and British literary form, 1831--1867 (John Cassell, Frederick Denison Maurice, Alfred, Lord Tennyson, Charles Dickens, Wilkie Collins) |
| 200. | A 'capital idea': Dickens, speculation, and Victorian economies of representation |
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