Double Art: Reason And Intuition

The origin and the goal of the construction of architectural space is for the life development of the human being itself. With the rapid development of economy and the overdevelopment of resources, the process of architectural design has been under control of the environmental protection by the tech world with both conceptual and technological target in recent years. Due to the different national conditions and the complexity of human being itself, however, there is no common value that has been widely accepted on living space. The cognition in this field should not be pure rational and ruthless technology, laws and regulations. Many scholars have emphasized that we should not forget and neglect the magic of artistic cognition because of the ripe of sciences. The architecture is constructed for people. Facing reason and tuition, it will be better for us to reach a perceptual consensus on human nature and the origin of architecture.Influenced by Bergson's philosophy, artists in the 20th century had undertaken series of changes in artistic concept. Based on the acknowledgement of problems such as objective things, life and time, he emphasized the importance of life impulse in our lives. The idea has also provided architecture, the practical art in fine arts, some revelations on the essence of life instinct. Those masters in arts have taken the state of childhood as the motives of their artistic creation and as the precious thing cherished in art. As for architecture, should we also preserve the most moving part of the origin in life in our grown perspective of design? The starting point of this dissertation is to find the motives of life perception from the original state of childlike innocence of human being in order to reach the common view accepted by both the user and builder of architectural space and to form a more rational and efficient guidance in architecture.The research of this dissertation is mainly as follows:firstly, the case studies on architecture and landscape design, combined with the theory and experience of philosophy, psychology and artistic aesthetics and on the basis of the art history of (?)chitecture and landscape archives. Secondly, I try to make some suggestions on the source of artistic vitality in architectural space and the future design from the perspective of moral ethics, putting the formal construction and aesthetic attitude within the context of modernism and post-modernism, matching and exploring the significance of childlike state and the changes of the aesthetic thoughts and the design concept of designers.