Poetics Research On Chinese Modern Prose Poem

Prose Poem is a study of contemporary prose style, which has been developed to suit the psychological characteristics of modern society in which people were considered sensitive, think more, complex and meticulous. The foreign prose poetry, that has been introduced into China since the beginning of the 20th century, assimilated and merged into literary resource and art accumulation of the traditional poetry. Thanks to efforts of May 4th Emancipating the Mind and trend of thought in literature innovation, Chinese Modern Prose Poetry emerged at a historic moment and developed independently, and a large number of famous writers and top quality works emerged in China as Luxun, Liu Bannong, Jiao Juyin, Yu Gengyu, Wang Tongzhao, Li Ni, He Qifang, Ba Jin, Tang Tao and Chen Jingrong among others. Developed and formed a unique stylistic feature and poetic expression, Chinese Modern Prose Poetry has had its own uniqueness and made innovation achievement in exploiting and deepening the aesthetic field of modern soul activity.On the basis of reading various prose poetry works and massive original materials, writer of this paper uses aesthetic and historic combined theoretical opinions and methods, comprehensively adapts theoretical perspectives of literature, stylistics, text, linguistics, speech science, and draws on criticizing methods of Western Formalism, New Criticism and Structuralism to study and explore the core problems of poetry as style causes of modern prose, style characteristics, characteristics of poetic, aesthetic value, enriching and enhancing poetic study of Chinese modern prose poetry in the form of explaining dialogues with the research samples. Taking poetics as a starting point, the writer combines both Chinese and Western perspectives, following the modern Western research methods that emphasize intensive reading and meanwhile learning from Chinese traditional Theory of Poetics, establishes poetic characteristics of the Poetic Prose style, subject of main creation, aesthetic tradition and dialogues in social historical context and try to present the stylistic transformation of the internal structure,the rise and fall or variation in dynamic and vertical angle, and show how these changes reflect the artistic ideas, the justifications for different mechanisms so to precipitate and reflect aesthetic psychological and artistic spiritual structures in different ages.