Modern Essay Stylistic Research

Chinese modern essays are one of the important achievements in modern Chinese literature, which is a fact admitted from its birth until its property. Chinese modern essays become the most successful literary style in the transformation of modern Chinese literature. This article attempts to explore and analyze the causes of its success from the stylistics, genetic, linguistics and the perspective of aesthetics, break the external limitation in the content of the literature and ideological content area in recent years, and return to literary research to the Chinese modern ontology and internal essays, so we can grasp the internal structure and style way relatively stable style paradigm, analyzes the reasons of the formation of style and unique aesthetic mechanism, and explore the unique characteristics and familiar literary glamour, thus to explore some of the stylistic features of the essay venter, and to make it separate and independent from other familiar prose styles. In order to achieve the development of the survival of the conditions of Chinese modern essays, and this literary style in the new era of development may. The logic idea of this article is to happen theory, ontology, rheological theory. Introduction of the thesis introduces the reason, the significance and methods. Beginning from the necessity of construction of Chinese modern essays,it expounds the necessity of literature itself back to study and significance, and introduces the subject research status and existing deficiencies. It also defines the Chinese modern style into the definition and make sure of the research direction and research content. Tracing the origin of familiar concept, it discusses the defects of the modern Chinese style characteristics and the existing problems, as well as the analysis and study.The first chapter analyses the Chinese modern essays as a spiritual culture and discusses the familiar form of literature ecological environment. It analyses the occurrence of "wen world revolution" and modernity concept, and the impact of to the east-modern translation, which is mainly the potential concept and the influence of the thinking of the new buzzword, foreign grammar, and new literary creation of concepts. The new location the identity of intellectualsand role of the readers prepares the creation subject and accept main body for the Chinese modern essays. "The feeling of the world" text tactic that new readers becoming literature development direction aesthetic demand one of the decisive factors. The development of publishing industry prepares the carrier for prosperity for parasitic, of which the transformation of the mode of transmission and Liang Qichao's pioneer attempt for the generation of familiar style laid the age material base. The vernacular movement, mandarin movement and literary revolution brewing in age styles of the vernacular for familiar language style. And in the May Fourth New Culture Movement the finding of person and the promotion of literature of people enables the generation of subjectivity theory to become possible. The utility of wang guoweis literary view affects the familiar express will view in a large sense.Chapter 2 discusses sketch text aesthetic norms and literary style of deconstruction and construction, which is mainly transformation from "carry a way" to "express will". The composition of the familiar text and literary style of the legacies of factors are studied. The text and literary style concept, first is taken from the western modern essay the freedom of prose touch consciousness, creation and aesthetic mentality of artistic conception is more from spirit prose essays in Ming dynasty. It illustrates the development process of familiar concept and analyses pure literature prose essays, later, letters prose, humor prose. It puts forward aesthetic pursuit is familiar aesthetic idealism, and at the same time inherits Chinese literature lyrical tradition and make great changes. The genre influence of the literary tradition of familiar lyric makes it choose the lyrical expression. Analysing the relationship between the essay and the western essay, researching into western Essay familiar meaningful dissection, and taking "appeal" off "thought" makes with the essay romantic colour and the type of gentle language style tone, which has great influence on forming the type of gentle language style. And the relationship between the late Ming dynasty and essays is inherited the emphasis and performance from the "alone express their spiritual meaning" of "spiritual meaning", although the connotation of "spiritual meaning" changes a lot. But unlimited expressing and attention to inner feelings is the inheritance of traditional aesthetic factors and one of the important factors of the formation of the free style. It finally discusses the independent familiar genre, especially with essays of dialogue and the separation process.The third chapter analyses the construction and characteristics of modern essays. Zhou Zuoren's construction point of view on literary language style has an important role, which lies in that oral dialect has transformed into the literary language of aesthetic implication. That perfected the instrumental defect of the vernacular languages, making the vernacular written a literary language of aesthetics. The unique style of poetic characteristics dates back to the use of classical Chinese and the inheritance to the traditional aesthetic interest. The use of classical Chinese has given the modern essays the artistic conception and the image like poems, and the artistic conception and imagery of the poetic features make sense and has the function of representation, which formed the implicative and refined aesthetic style and profound in its simplicity.The use of oral Chinese and idioms in dialect makes the modern essays kind, vivid, which has a decisive role in gthe forming of the style of euphemism. In addition, the use of European language has completed the style of modernity, and European grammar has brought in diversity of Chinese modern essays sentence patterns, making the expression to being exquisite precision, giving the readers a new aesthetic experience, endowed to the essays with new aesthetic qualities, finally resulting in the the essays with the style of the times and the world synchronization.The fourth chapter discusses the choice and changes of the style strategy. The character and personal emotional attention,paying attention to the construction of artistic conception and the delicate, elegant pursuit of language like poems in poetic prose of Beijing Style in the 1930s, is the inheritance of the stylistic feature of the modern essays in the very great degree Zhou zuoren local essays and his attention to folk literature, has combined simple folk and traditional lyrical style, giving birth to the certain features of local prose. One of the main strategy is the style of the change of the narrative angle, selecting Zhou Zuoren's far view of his perspective and Wang zengqi's the oral narration at present. The pursuit of reason and emotion, the noble thought and the thought of the baptism of gentleman obviously has rooted in the reason interesting and the beauty of knowledge of the modern essays and have the the aesthetic characteristics of combination of thought, emotion and knowledge.The conclusion discusses the marginalized trend and era surviving of this literary style The change of aesthetic psychology of the times and the influence of mass media culture makes the modern essays become a marginal genres. At the same time, the change of the Chinese language especially the change owing to times also affects the creation and survival of the modern essays. The new era puts forward to define human nature of the modern essays again, which makes human nature have the requirements of the meaning of the time. It is a traditional landscape in the edge of the era.