Poetic Imagination Analyze Of Roman "Yi Ceng Lou" Of Injinash

The style of the poetic imagination of roman "Yi Ceng Lou" of Injinash is specific that the author created the exemplars and their actions and relationships through their environment and natural phenomenon. Therefore, we intended to detect the style, techniques and imagination specificity on the basis of the conversion into the Cyrillic letters and the explanation of some incomprehensible Chinese phrases.This article is consisted of the preface, major part/1-3parts and summary/and concomitant part. The preface talked about the reason of topic selection, previous research situation, research goal and its techniques.In the first part, we have analyzed the creation techniques for roles of roman "One-Storey Pavilion" by inside and outside characters.Injinash is very capable to depicture the inside beauty, moving from the outside beauty to the inside spirit. He could introduce the different specific imagination style in the Mongolian literature, depicturing the womankind beauty on the basis of the imagination tradition of classic folklore and literary work of Mongolia and the traditional comprehension of the beauty in the Chinese thinking.Moreover, he developed the magnificent appearance of roles by the proper imagination, reciting the characters'cloths and decorations very richly.The roman is very specific by the imagination of youngsters'love and their clean, faithful and invariable sentiment.In the second part of this roman, the author could express properly and gainly the title-roles and under-parts, their relations, the environment and frame of actions and commodities. Thus, he could achieve the purpose to show the environment and areas are rich and plenteous. Moreover, through the proper imagination of environment and living areas, the author could depicture the differences of rich and poor life antithetically with the creativity. The author's capability was expressed fully by his concinnity and he could draw the human feeling's nuances comparing with natural nuances.In the third part, the author described properly the roman's stories and relations enriching the love actions and depictured the love dramatically and interestingly for readers, logically, extraordinarily, artistically, and delicately with real and ideal conflicts of fantasies.Here we indicated that the author could express the big ideas through the simple actions of life and it was the success in the imagination of action.