Sentimental And Artistic Creation

This is a paper on the relationship between sentimentality and artistic creation . Both the artists from the east and west find the position and function of feeling when they discuss the art. Some artists even get it to the level of noumenon and regard it as the essence of the art, but which needs to analyze specifically on the feeling. Also some artists look the sentimentality as a style which relates to the classics , where it degrades the usage of sentimentality .As the two reasons above , the paper fully elaborates the feeling on the base of the specific analysis to classics and the feeling art view, and made the suitable upgrade to the sentimentality on the base of the sentimental style genre. So it concludes that the sentimentality tends towards the origin of the art creation , which should be the most advanced circles of the artists" spirits and existence among all kinds of sensibility forms. Thus the sentimentality is not a style of one art genre, but the manifestation of the whole art style.The paper is divided into eight parts , including the preface , six chapters of the main body and the last conclusion. The foreword generally tells the reasons and aims to write and the content and the research methods of the main body. The first and second chapters sums up the cause of sentimentality existence, and the relationship between the sentimentality and art creation ,in which the former is from the logical angle, while the latter is from the historic view. The third and forth parts microscopically discourse upon the reasons why the sentimentality is the most advanced state in the artists" soul and existence ,where the preceding part emphasizes particularly on the inner spirits of the artists, the latter on the outside existing environment of the artists. As to the fifth chapter , it discusses the art manifestation ways of the sentimentality .The sixth part specifically expounds upon the individual case of the artists.