On Chia-ying Yeh's Poetics From A Cross-Culture Field Of Vision

The article studies Chia-ying Yeh's critical theory and practice from a cross-culture field of vision so that reveals its Chinese and Western fusion characteristics, Chia-ying Yeh's contribution to development of Chinese poetics.The first two chapters study and review Chia-ying Yeh's theory. As a background setting and basis of choosing other topics, Chapter one expounds important viewpoints and reviews of Chia-ying Yeh's Chinese and Western comparative poetics. Chapter two studies Xingfagandong which is a poetic concept that Chia-ying Yeh set forth, and is the key of her literarily critical theory. This chapter discusses Xingfagandong's produce, connotation of Xingfagandong'role and the purpose of Chia-ying Yeh putting forward it and pays more attention to its Chinese and Western fusion characteristics.Chapter three analyses Chia-ying Yeh' viewpoints on aesthetics characteristic of Tz 'u and its contributing factors using feminism poetic terms such as female image, female language and androgyny. Chapter four chooses four typical individual cases about Chia-ying Yeh using Western theory to analyze Chinese ancient authors of Tz 'u and rethink Tz 'u theories. The analysis on these individual cases is an examination not only to Chia-ying Yeh's comparative poetics, but also to significance and effective of using Western theory to interpret Chinese ancient poetry Tz'u and theory.Chapter five mainly discusses that Wang kuo-wei, Gu Sui and western academic background produced the influence to Chia-ying Yeh in order to show that the dual background of Chia-ying Yeh's Chinese and Western poetics had an effect on her literarily critical viewpoints and practice.The conclusion reveals Chia-ying Yeh's contribution to comparative poetics, the theoretical construction and modernization of Tz'u from a cross-culture field of vision.