LIN Fengmian And Traditional Chinese Painting New

The present paper proceed from Lin Fengmian formation, revision, and practice of the theory of artistic interaction between the Western and the Chinese, revolved round closely the theory of interaction to discuss Lin Fengmian's arduous exploration. The discussion focusing on one transform and two experimentation of the theory of interaction, explain Lin Fengmian how to realize his transfer of the contemporary painting.It is argued that Lin Fengmian's formation of his theory of interaction divided into the two periods, the period of studying abroad formed the socializing theory of interaction, and the period of running a school formed the painting theory of interaction. The experimentation of the theory of interaction the same as the formation divided the two periods, the period of running a school practiced the socializing theory of interaction, after lived in Chongqing practiced the painting theory of interaction. There are two key points, the period of studying abroad how to form the socializing theory of interaction, neither being the painting theory of interaction, and the period of running a school how to transform the two theorys of interaction. This paper may not be usually the center of the painting of interaction as soon as the center of the theory of interaction because the theory of interaction generated the theory of evolution and revision. Lin Fengmian's mature theory produces the mature painting. That is to say Lin Fengmian's theory of interaction the same as his practice of painting of interaction, transcending epoch realized the contemporary reforming visual form of the Chinese painting.