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Literature Across Time And Space Sing

Posted on:2008-01-13Degree:DoctorType:Dissertation
Country:ChinaCandidate:X Y FengFull Text:PDF
GTID:1115360212494833Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
In the history of 20th-century Chinese literature, Zhang Ai-ling is a famous name. With her delicate profound writing, the style of her novels is the best footnote to become the world's legendary life. Somersby passed away, as a novelist, Zhang Ai-ling still is Ladylike to live in the world of the reader's imagination from generation to generation. In recent years, domestic and foreign scholars to study Zhang's text has been alive and Zhang Ai-ling, which was created as the Bible. For half a century, many Chinese writers engaged in writing in native language learned from the rich in nutrients and useful enlightenment from Zhang. Particularly, in the profound insight into the psychology of women in Zhang Ailing, who is sought after by many female writers.And Hong Kong and Taiwan in the late 20th century, texts of many female will be found "Literature impact" of Zhang Ai-ling more and less. However, some writers do not want to admit that influence from Zhang Ai-ling. Maybe they deliberately avoid the anxiety of literature impact. But many writers, such as Zhong Xiao-yang, Huang Bi-yun, Li Bi-hua, Zhu Tian-wen, Zhu Tian-xin, Li Ang and Shi Shu-qing from Hong Kong and TaiWai, frankly, admit the impact of Zhang Ai-ling and receive much inspiration from her texts. Most of them has begun their writing in the 1960s or 1970s, and go to the peak moment of its creation at the last of century. Their works send out the art charm from Zhang Ai-ling. Zhang Ai-ling migrates as an old soul in the text of them. It can be said that they consciously absorb and learn from the creative element from Zhang Ai-ling about the insight and wisdom of the life of humanity according to the similar to the literature and the fine bearing candles .They chimed in with each other across time and space half a century ago.The paper will be Zhang Ai-ling's novel as a starting point, to form a reference to the female writers with the creation Hong Kong and Taiwan. From the certain aspects of the female and decisive stance, each other's time narration, text involving the legendary anti-climax, to view on digestion secular life and the history of the new historical perspective, to the human narrative of good and evil are intertwined, and text written confrontation with the concept of alien culture and all the narrative tone Opera. The paper concludes seven aspects as before. According to the comparison of female Writers of the 20th century of Hong Kong and Taiwan and Zhang Ai-ling, we can find comparative study of between Zhang Ailing and these novelists of last century. They have the inheritance of their own personality and the literature beyond, most importantly ,it also demonstrates that huge influence of Zhang Ai-ling as a famous writer enhance century version of the carnival sense of continuity.From narrative of the female point of view, though not a so-called feminist writer, Zhang Ailing always stand a novel angle and position of women into the world of women, showing the survival of women Theological survival and psychological difficulties. Female writers of Hong Kong and Taiwan in the late 20th century as well as the female image from the start take the challenge for the world of male, in a high profile to the male-female discourse .They write the history of women's history and soul. With the desire and passion, these women in the image of the bitter struggle take a struggle against the sink or even self-destruction. As the main dichotomy of characters, male images are hidden and removed, that is to say, the male images have been weakened and discredited in the novels. Male presence and the absence of the father is the image of the narrator's text subverts patriarchal strategy, establishing a woman's sense of metaphor. It is to meet the end of the feminist movement and the rise of feminism between Hong Kong and Taiwan at this period.Mankind's ideological do not jump out of time and space, the change means that the passage of time and space and life and destiny of theology. Time and space are described from the legendary, Zhang Ai-ling is good at taking advantage of the time and space in the text to write secular grasp of ordinary people and the fate of Fossil juxtaposed with the twists and turns Overhead, She writes two cities of Shanghai and Hong Kong in her novel, which compose of a unique city memories. Those descriptions change the fate of the characters of personality and become important features in the texts. Female writers of Hong Kong and Taiwan suffer from the texts of Zhang Ai-ling, realizing that the novel's narrative on the importance of time and space. They also write the history of time in literate style. Even with the help of imagination, the writers take figures to reflect the real and illusory lives, which were superimposed cross. The conversion of space displays the survival of the characters. Writers gave readers a variety of life legend in different time and space under their wonderful pens. These writers depend on varied geographic control of the "City" images in the same text or different text between the city and a native of novels. Shan hai, Hong Kong, Taipei or the original town as a mysterious fate and survival figures show the vast space. The human construct of the city and the city has also shaped the people, which become the carrier of human lifestyle and state of mind.Zhang Ai-ling is order to be able to "take into account the reader's reaction" in the novel, which incorporates a variety of artistic Based on the classic texts written or rewritten to reflect individual human and deeper level of human detectors. Narrating the story of the incident is not entirely in accordance with the inherent logical sequence. Readers receive exaggerated anti-climax ending and the artistic effect Irony. Her story form text mapping variations in contrast provides a lot of useful Inspiration to female writers between Hong Kong and Taiwan at the end of the century. These writers fatherly expand their self-creative vision, the rewritten version of the classic, with the other writer or Zhang Ailing or even involving themselves among the various texts. They break the usual pattern of linear narrative, with an anti-climax ending to the saga of life. For example, Li Bi-hua rewrites traditional Chinese classics text, such as "White Snake" or " Pan Jin-lian " traditional literary image and has the new interpretation. The novels of Zhong Xiao-yang, Huang Bi-yun and Zhu Tian-wen become unique scenery to legendary novel of the 20th century Contrasted with Zhang Ai-ling.These female writers influenced by Zhang Ai-ling refuse to write the truth of history or images of heroes in fiction works. They focus on the everyday life of ordinary people in the state and delicate psychological trivial world, not on dignity and historical depth. They want to writ the individual memory under the historical conditions. In text, there exist the social and historical suffering and struggling humanity in survive of War flames .Because that, Zhang Ai-ling said that, the war maybe make her find the truth of humanity. From these words we can see that Zhang Ai-ling respects the individual existence without the depth of history. Literature has always been a product of the human mind and soul. Humanity is always concerned with writing and literary themes. Zhang Ai-ling told us the excavation of the human embodiment of the existence of human beings and gorgeous sorrow. Her texts reflect the darkness, ugly and greed of human personality. That narrative reveals the author also has the yearning for the natural of human. At the end of this century, the novelists write nature characteristic of human as a theme repeated chant. Female writers of Hong Kong and Taiwan also write the same theme as the core of human nature in their texts. The images of the texts will be placed in a modern city. Through human nature , the novels reflect the beauty of nature and humanity in terms of material desires labeled as a struggle of the suppressed, distorted and alienation, which reveal that the struggle between the desire for people in a modern society and human shortcomings. These reflect the writer's ultimate concern for human existence at the social background.During this period, the female writers are influenced by Zhang Ai-ling. And select two poles of text in the story. When the material and modern, traditional and modern, macaroni and decadence become the different power of struggle in the texts, under the variations in the form of a control, the tension of the novel is more artistic than before. These female writers lived in the developed and most prosperous city of Hong Kong and Taiwan at the 20th century. They have personal experience on the bustling city, consumer inflation and the pursuit of desire. In the text, they explain that crisis and spirit of modern decadence and anxious mood of ending of century.Zhang Ailing linguistic style and narrative tone has been alleged, and, her novels contend numerous natural and symbolic images to convey a fearsome, murderous and ghostly atmosphere. The novelists use the ways of the film, echoed with the voice of an old. Female writers of Hong Kong and Taiwan will extend the narrative language and creative ways of Zhang to the individual works at the end of the century. They are more tolerant of creative vision, and deeply aware of the popular literature with a wide range of social significance. Through writing with the same natural imagery like Zhang Ai-ling , such as light, sound, video, on the description, They Give us the symbol and metaphor filled with anger and pressing the murderous eyes desolateness and coldness, with a mysterious and suede ghostly atmosphere in the text. Meanwhile, these female writers have the impact of modern Western literature. And they have the film and theatrical art forms that have such profound research and practice, so they can be skillful in the use of film to show. On switching a camera the texts reveal of the misty years old and feeling a sense of nothingness.We study the texts of female writer of Hong Kong and Taiwan and Zhang Ai-ling as the main topic at the end of 20th century. The topic can explain that style beyond and innovation from Zhang Ai-ling to these novelists. Women Writers of Hong Kong and Taiwan in the late 20th century are involved in a constant fate with Zhang Ai-ling. In their literary career, this name of Zhang Ai-ling should not be ignored. Literature, after all, is an individual work. But that these writers draw on the inheritance and style of Zhang Ai-ling's writing is not always a simple parody. They just stand "on the shoulders of giants", writing in a broader perspective and social view. In several decades of literature would continue to search for a breakthrough in self-transcendence Hong Kong and Taiwan, which becomes the century's most lucrative literary landscape. Over the years, these female writers work so hard, and put words into their own flesh and blood marrow learned from Zhang Ai-ling. So they have a personal opinion and interpretation on the meaning of life. They realize the literature of self-succession beyond. Zhang Ai-ling becomes a popular foundation in their creation. Many people will rememberthose names, such as Li Bi-hua, Huang Bi-yun, Shi Shu-qing, Li Ang ...... Personalliterature of their own age will be accepted by more and more people in the subsequent interpretation of inheritance and beyond. Maybe this is the artistic charm of literature itself which produced a tremendous impact powers.
Keywords/Search Tags:End of the 20th century, female novels of Hong Kong and Taiwan, Zhang Ai-ling, transcendence
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