The New Sense Of Shanghai: A Research On The "New-sensationalist" In Chinese Modern Literature (1928-1936)

The paper take the urban narrations of 1920^th to 1930^th age as an object, from the angle that the "new sense" occurred in Shanghai metropolis space, to inspected the new structure of feeling's historical process of its occurrence, development, changing and the termination in the metropolis modernity linguistic environment.The paper beginning on the expansion of the concept "new-sensationalist school" in history of literature. It does not regard it only as a literary school, but refines the subject in metropolis, and to analyzes the structure of feeling in urban from different faces on the physical image sequence, the urban subject's feeling of body, and the radical psychology and so on. In this foundation, this article believed that, Shanghai "new sense" affects not merely in one batch "new-sensationalist school", but also simultaneously affects the left-wing writers who write in Shanghai.So the three chapters of the paper will separately elaborate the new structure of feeling in three different stages. The first one is the subject in urban formation. The second one is the radical esthetic feeling which the urban space interior lamination initiates. The last one is the radical esthetic feeling gradually tends to be after with the organized radical politics, the structure of feeling in metropolis adjustment internally. Along with national war eruption, this kind of experience also by more rapid political demand substitution. The conclusion part will tell in brief that the writer's differentiation and Shanghai "new sense" withering away under this background.