Fake Face With Yin And Yang-Field Investigation And Research On Nuo Dance In Guichi Of Anhui Province

Guichi "Nuo" Play in Anhui province, is a folk sacrifices of singing and dancing and drama activity of inviting god and worshipping forefather, characterized with recurrent scene by mask wearing with the purpose of driving pestilence and impetrating propitious, and it is also a live relic of Nuo Play in ethnicity play in family patriarchal clan society of ancient family in China, The "Nuo" Play is an representative in Chinese Nuo Field and is granted with a title of "Living Fossil of Chinese Drama"; However, for a long time, the logic occurrence related to Chinese ancient dancing has always lacked of sufficient researching achievements. Research in this text showed that the investigation and research on Guiehi "Nuo" Play have beneficial "stimulation" to the cognition on occurrence of Chinese dancing. But, the previous research on '"Nuo" Study dedicates too much at the original cultural implication, religious connotation as well as the folk ritual; pays too much attention to the historical evolution, cultural classification, drama factors as well as folk art of Nuo Play, while, paying less attention to the phenomenon of extremely-common "Nuo" Play that shouldn't have been neglected, and even no cloze research carried out on the "Nuo" Play, which occupies an important place as well as possesses independent culture attributes. As for tapping the connotation of "Nuo" Play and exploring its culture functions and expurgating its substantial researching characters through the applications of such academic methods as anthropology of dancing cultural, dancing ecology and other academic methods, are yet not detected as far, thus, it will increase the naissance value and academic fresh ideas of the dissertation.Given this, this text firstly sets its foot in the practical application of the configuration analysis method about field investigation and dance ecology. On the base of investigating completely the original ecological Nuo Play in Guichi area, it aims to doing research on the culture promulgation, function constitution as well as integrality investigation and debate of the research objects, meanwhile, hackling the classify and composition of the application of "Nuo Play in Guichi area" as an independent cultural concept in its "cultural world". Thus, finding its special status and value in the Nuo Environment in Guiehi area; then, through the real occupancy of"the first-hand material" and the holistic research of literature and practicality, implement the resolution of the genetics, folklore and culture about the researched objects, and make perspectives on the cultural publication that Nuo Play possesses as an individual case research. Especially, such these ones as sprit of Confucianisem, Buddhism and Taoism contained behind the primordial and unreachable configuration, folk godliness that pursues good fortunes and be virtuous, ideas with movement and pictures about the harmony of Yin and yang, the complete and precise culture constitution. The theory mode that reaches the above argumentation refers to many genres of cultural anthropology (cultural space theory, symbol anthropology, structuralism anthropology, interpretative anthropology, ere) and core theory about dance ecology (configuration analysis, gene decomposition and features extraction, relationships of environment and core objects, etc), it should say, academia energization makes a basic sample for building Chinese school about dance cultural anthropology in a certain degree. The above is the content of the introduction of the text, four chapters and the conclusion. What needs to point out is the structure of the text follows out all the time the subject ideas of dance cultural anthropology, which are also another emphasis of writing this text.However, the standpoints of this text are not in antiquity, basing on the "nowadays" as its precondition, to protrude the modem nature and the practical value of the visual threshold on "Nuo" Play study. The original intention of learning the "Nuo" Play in this text lies in: scanning widely the remnant recovering of the antique taste in far-back and present processes as well as the constant attribute of rational ideas, building a explanation system of "Nuo" culture with multilayers, noumenon and consciousness of root nature, holographic and latticing, renewing the cultural meaning that "Nuo" Play should have. As taking this as the chance, exploring the occurrence of the Chinese dance culture from the flank is also one of the exravagant wishes of this text.