The Mass Narrating And The Spirit Home

The paper is a systemic and comprehensive case study of the art of narrating of Korean TV play series. On character of the study, it is a culture study on the basis of modality study. On method of the study, it is a combination of analysis of narration and culture. And on objective of the study, it probes into how mass-narrating TV play series construct signification world., provide spirit home, and during this, how to resolve the inner conflicts of aesthetics, industry and culture.Korean TV play series have been in popular in East Asia since the end of 90's in last century, and become a television cultural phenomenon affording for thought. While, what is the signification of signification world that Korean TV play series present, construct and transmit? This is the key question the paper trying to answer.Owing to the upsurge of Korean TV play series is a global mass cultural communication in communicational quality, and a relational cultural communication in East Asian cultural circle in communicational scope and direction, the key question about the meaning of the culture of Korean TV play series is analyzed into two question systems. One, in universality, is the conflict and the balance inside the mass-narrating Korean TV play series in three dimensionalities of aesthetics, commerce and culture. The other one, in particularity, is East Asian-narrating Korean TV play series' constructing cultural subjectivity in the conflicts of east and west, globe and native, modern and tradition. The before contain and is reflected by the after.The paper is trying to answer this complicated cultural question through analyzing the form structure and system. The narrating system of Korean TV play series is analyzed into representing structure; exterior structure, and internal structure. Correspondingly, the most basic objects of narrating culture narrating word, narrating style and narrating logic, refer to the tree dimensionalities of TV play series: aesthetics, commerce and culture. Thus, the research of universal issue is mostly transformed into the analysis of the three structures, each of which comes down to the discussion of the particular issue with different emphasis. It avoids puzzleheadedness and unilateralism, and brings the research system the integrality and dynamic.On the explanation of the three-layer-structure of Korean TV play series, in each layer, through test unscrambling, narrating element analyzing, character concluding, the paper sees about how they dynamically response the hidden social culture test.The representing structure of Korean TV play series, which is made up of narrating skill and technique, present an abundant idea world, through combining various presenting forms, such as shaping personality, arranging action, select angle of view and dealing with rhythm. Eastern and western aesthetical words appear together in the trop, separately with two kinds of consciousness (two subjects), two pointing, two hidden judgement (two objects), reinforcing and competing with each other.The exterior structure of Korean TV play series is established by usage of the interaction between producers and audiences, providing the narrating material a series of technique code, such as photography, lighting, playwright, music, acoustics, and the corresponding sign structure, narrating convention and progress. This structure is made up by the global current module combination and the native otherness one of the mass TV play series. The before presents the conspiracy of the marketing producer of Korean TV play series and the mortal experience and needs. The after presents the conspiracy of the marketing producer of Korean TV play series and survival status and particular needs of the modern native Korean, appearing as the the stipulation it narrating system consumptive supply of native natural resource, and the ideological presenting of the native middle class-moral optimism and cultural conservatism.The internal structure of Korean TV play series is the logical structure of the narrating system, and the logic of cause and effect that settled by the cultural cognitive system and value system in the nature of Korean. The neutralization thought and the ethic value form the internal structure of cause and effect. They root in the experience background and the cognize store of the archaic East Asian culture, and each of them is a cultural icon of decode and coding with universal characters, which in Korean TV play series still exists, but the material criterion of its controlling changed deeply. It appears as the different value systems exist together, and badger with the narrating valuation in different extent and in different ways.On the basis of explaining the three-layer-structure of Korean TV play series, the narrating system of Korean TV play series is reverted, in which the universal and the particular issue of the narrating culture of Korean TV play series are explained.On the universal issue, the three dimensionalities of Korean TV play series: aesthetics, commerce and culture, is the all and the one. The three interact and carry out their own functions. In the self-adjust of the system, the commerce plays a key role, which in order to realize its request, compromise with aesthetics and culture. While, aesthetics and culture in order to realize their market circulate, change their old character and representing form accordingly. Thus the inner homeostasis of the narrating system of Korean TV play series is realized.On the particular issue, the narrating system of Korean TV play series provides the modernization of traditional culture the inevitability and the possibility of the structure. Furthermore, the narrating system indicates that the key point of gaining the cultural subject in the conflict of the east and the west lies in the possession of self-proposition. This is a process of self-adjust, self-rebuilding, self-search. The key point of possessing self-proposition is being established in self-tradition, whose key point is the self-adjust when faced with the impact of other culture. It appears as according to the psychological structure of Confucian, accepting western culture and explaining the western general ethic with Confucian cultural resource and concept, not the other way round.On response of the two question system, we can finally face the primal key point: what are the quality and the character of Korean TV play series?The principle part of the narrating system of Korean TV play series is the spirit home, whose key valuation is traditional Confucian culture, and ideology is Korean midcult conservatism. The substance of this cultural subject is the Confucian culture chosen by modern life. And this cultural subject is represented as the new civic virtues ideal in narrating.The principle part of the narrating culture of Korean TV play series is the mass-narrating. Narrating has two basis cultural functions: representing the mass experience, fantasize, and will, and producing the mass intellect. The two cultural functions realize through the three main narrating methods.Considering the significance of the spirit home, the narrating culture of Korean TV play series satisfies the value need of its narrating, and resolves the speculate conflict in the structure in a great extent. It gives originators their own faith, method, and confidence to organize ,represent and explain the individual, the national and the historical experience. Besides, when faced with the cultural question about what we are, and what is should be, the narrating culture of Korean TV play series also offers an Eutopia to solve the practical conflict. For public, it supplies not only a cultural identification (relative to the modern and the west), but also the modern civic virtues ideal (relative to the tradition and the east).Considering the significance of the mass narrating, the Korean TV play series supplies model of realizing self market purpose through transporting mass will andcultural civilization.--The transmitting and constructing of the costate culture isthe key point of realizing the commercial success of mass narrating. Realizing the need of public identification though the entertainment, it is the necessary precondition of mass narrating becoming the cultural mechanism that help the modern society transform, and the public value construction.Finally it comes back to the purpose of researching the narrating culture of Korean TV play series satisfies: resolve our own problem. The two cultural problems of Chinese TV play series now are pointed out, the perplexed of cultural principal part and the confusion of cultural subject. The narrating culture of Korean TV play series behaves in focus and confirm in some extent, and it provide the Chinese an effective frame of reference.