| This Thesis portraits the different aspects and development path of painting history, which base on the Vision and Image. The further discussion on the signification of practice methodology in painting , with its derivable change and correspond contend, perfectly reflect in the contemporary visual culture to refurbish the meaning of visual action in painting, come back to the original ofvision——seeing and image, which can be seen as the modern episode to shape thenewly painting and image culture development.
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